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rising over five meters, the sculpture consists of eight perpendicular panels clad in glazed ceramic tiles.
here’s what we know so far about the 2026 venice art biennale, shaped by the late curator koyo kouoh’s vision.
connections: 25
explore our monthly round up of must-see art, design, and architecture exhibitions to check out around the world.
connections: +190
the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.

‘complex pile’ by paul mccarthyphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘complex pile’ by paul mccarthyphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘house of treasures’ by cao feiphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘house of treasures’ by cao feiphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘house of treasures’ by cao feiphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘sacrilege’ by jeremy dellerphoto by nicholas tse; courtesy of M+, west kowloon cultural district authoritysee designboom’s coverage of this project when it was first installed at the glasgow international festival of visual art 
‘sacrilege’ by jeremy dellerphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘poetic cosmos of the breath’ by tomás saracenophoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘poetic cosmos of the breath’ by tomás saracenophoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘poetic cosmos of the breath’ by tomás saracenophoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
’emptiness is form. form is emptiness’ by choi jeong hwaphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
’emptiness is form. form is emptiness’ by choi jeong hwaphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
’emptiness is form. form is emptiness’ by choi jeong hwaphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
’emptiness is form. form is emptiness’ by choi jeong hwaphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘falling into the mundane world’ by tam wai pingphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘falling into the mundane world’ by tam wai pingphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘falling into the mundane world’ by tam wai pingphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
left: ‘falling into the mundane world’ by tam wai pingright: ‘with the wind’ by jiakun architects / liu jiakunphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘with the wind’ by jiakun architects / liu jiakunphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
general view of the six giant inflatable sculptures take over the promenade at west kowloonphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority












