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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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cut textile technique now a permanent fixture of ameztoy’s work
the pink, maroon and beige curtains taper into the center of the exhibition space while the entryway is flanked by silver sheets
a long green sheet of fabric falls to the floor from the its position affixed to the ceiling
several cut textile segments of varied height and shade grow into the center of the room from the wall
white fabric secured to the ceiling brings a cloud-like atmosphere to the gallery
the material cascades from the ceiling, framed by a sweeping staircase in the center of the entryway
alternate view of the white cut curtain work