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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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to complement six important recent sculptures, the show also includes three pieces produced especially for the eventimage © ron mueckphoto © gautier deblonde
the opus highlights mueck’s distinctive rendition of realism and powerful use of scale, proportion and placementimage © ron mueckphoto © gautier deblonde
his meticulously detailed human figures draw from the world’s of pop art and hyperrealismimage © ron mueckphoto © gautier deblonde
‘mask II’, 2001–2002 mixed media 30 3/8 x 46 1/2 x 33 1/2 in. (77.2 x 118.1 x 85.1 cm)photo © thomas salva /
‘woman with sticks’, 2009mixed mediaoverall: 73 5/8 x 90 1/2 x 33 7/8 in. (187 x 230 x 86 cm) figure: 33 1/2 in. (85 cm) plinth: 29 7/8 x 56 1/4 x 45 1/4 in. (76 x 143 x 115 cm)photo © thomas salva / lumento
installing ‘woman with sticks’ at the fondation cartierphoto © thomas salva / lumento
ron mueck at the fondation cartier setting-up his first major exhibition in europ since 2005photo © thomas salva / lumento
ron mueck makes last minute finishing touches to one the new works for his solo show which depicts a mother and childphoto © thomas salva / lumento
installing the ron mueck exhibition at the fondation cartier in parisphoto © thomas salva / lumento