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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

the machine was programmed by tom pawlofsky and the design of the stool was conceived in collaboration with tibor weissmahr image © designboom
the goal of echtwald – which literally translates to ‘real forest’ in english from german – is the revaluation of forests through actively supporting the forest regionimage © designboom
the pieces were then able to be purchased by audience members following the impressive presentationimage © designboom
the stool after processed by the robotimage © designboom
the technique offered nearly scrap-free resultsimage © designboom
image © designboom
the machine carved the stools with millimeter precisionimage © designboom
tibor weissmahr + tom pawlofsky portrait © designboom