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founded in london by anab jain and jon ardern, the studio turns to hypothetical worlds to build a collective future based on actionable methods.
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all these sets are built from the same spirit of colors and perspectives that run through the artist’s paintings, allowing the actors to perform within his artworks.
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the musical instruments wear bright colors that make them more alluring to look at, capturing the full form of the shape they’re borrowing.
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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
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‘roboquattro’ begins to get a feel for the big apple image © designboom
neon lights of the city streets dance upon the smoothed surface of the beveled handle image © designboom
‘roboquattro’ takes a break from shopping the streets of 5th avenue to admire some of the historic sites of lower manhattan such as the flatiron building image © designboom
‘roboquattro’ contemplates a piece of philosophical and simplistic street artwork image © designboom
‘whaaat?! you look like you’ve never seen a door handle before’ image © designboom
just passing time waiting for a faithful bus of the NYC public transit fleet to arrive, carrying him on to new NYC adventures image © designboom
the front view the flat band seems as if it is a thin stripe which flows out of a cylinder from the center of rotation image © designboom
relaxing on the
‘roboquattro’ is paused directly above the viewer, ready to be pulled, opening a passage to the top of the city’s skyline image © designboom
‘any vacancies?’ image © designboom
the designer says his work, ‘doesn’t need to be loud. the main goal of [roboquattro] is to be ergonomic, pleasant, modest and timeless. the door, the handle, the room and everything around it should be seen as a composition‘. image © designboom
material: brass / finish: oroplus, gold, chrome, mat chrome
left: rendering of the designboom ‘