ettore sottsass at kunsthal rotterdam ettore sottsass at kunsthal rotterdam
feb 17, 2011

ettore sottsass at kunsthal rotterdam

ettore sottsass
kunsthal, rotterdam
on now until may 1st, 2011

ettore sottsass
enamelled copper tondo, 1958
photo: enzo asaia
all images courtesy kunsthal museum

 

a retrospective of the italian designer and architect ettore sottsass (1917 – 2007),  curated by fulvio and napoleone ferrari, is currently being held at the kunsthal rotterdam and features over 100 objects and drawings of his form studies with enamels from 1958. his work in the late fifties dealt primarily with the simple geometric elements of lines and circles centered around bold uses of color. during this time sottsass was able to build up a collection of work that served as the theoretical basis to his founding of the memphis group (1980), which later brought him international fame.

a catalogue edited by adarte accompanies the exhibition.


ettore sottsass
enamelled copper tondo, 1958
photo: enzo asaia

 

sottsass studied and graduated from the polytechnic of turin, from which he graduated in 1939. after the war in 1946, he moved to milan to work. based on his rationalist education, he started to create a collection of simple geometric patterns. in 1958 he investigated the technical process of enameling and began attaching the glass based material to different contrasting surfaces like wooden vases and metal plates. the glassy nature of vitreous enamel gives a physical thickness to surfaces, irregular yet smooth and shiny, offering the possibility to add vivid color to forms.


ettore sottsass
enamelled copper tondo, 1958
photo: enzo asaia

 

though sottsass designed many houses and office buildings, he found success as an industrial designer. sottsass is considered one of the most renowned protagonists of italian design where his views on design led him to consider the functionality of a product to be inferior to its symbolic meaning in one’s life. his portfolio of work consists of furniture, kitchen utensils, jewelry, glass objects, lighting and office equipment- some poetic whereas others seem more radical in form and production, though all his work contained a sense of humor.

sottsass is best known for designing the red plastic olivetti valentin typewriter (1969) and the carlton bookcase (1981).


ettore sottsass
enamelled copper vases on wooden base, 1958
photo: enzo asaia


ettore sottsass
enamelled copper vases on wooden base, 1958
photo: enzo asaia


ettore sotsass
enamelled copper vases, 1958
photo: enzo asaia


courtesy of the CSAC archives at the university of parma


courtesy of the CSAC archives at the university of parma


ettore sottsass
pastel on blueprint, 1958
courtesy museo casa mollino


ettore sottsass
pastel on blueprint, 1958
courtesy museo casa mollino


ettore sottsass
pastel on blueprint, 1958
courtesy museo casa mollino

  • This isn’t impressive or interesting at all.

    JustSomeGuy says:
  • I find it very interesting instead.

    Barbara says:
  • sottsass was the number one.
    for JustSomeGuy: this is interesting, this is design!

    Livio says:
  • wow, so beautiful!!!

    Achim says:
  • Sottsass is appropriately named.

    peen says:
  • I first met Ettore Sottsass in 1986 with Casa Maui.
    He Introduced me to his vision of “This is like the covering over a gas station with a large roof protecting all the activity below”.
    Ten years later with on going revisions – We , Acme Studio & Sottsass started the construction of Casa
    Maui… 2 Years later She Da Pau
    One of my favorite projects…….

    One of My favorite Projects…

    Free Form Constructural Realism says:

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