a rendering of the installation
located at the entrance of the designer’s lounge, the structure will extend over 80 square metres
and reach over 7 metres in height. using technology from the sailing and shipbuilding/nautical industry
in which carbon and aramid fibres are compressed between transparent sheets of mylar to make strong,
lightweight and transparent sails less than 1mm thick, lynn has created swarovski crystal-encrusted
suspended sails that are moulded and curved into billowing shapes which overlap and intersect.
the panels will feature three different colored fibres: black carbon fibre and aramid both in its
‘natural’ gold and a crimson-dyed version. woven together, they will create nuanced colors.
incorporated into the fibres will be thousands of tiny clear and colored crystals in hues of aquamarine,
pink, red, peach and blue, contributing to the reflection and highlights of color.
the construction of the installation incorporates more than 1,500,000 crystals and using
117,00 meters of carbon and aramid fibres which have been assembled by computer-guided robots
and formed using molds at the north sails 3DL factory. each sail component varies in size,
some as long as 14 m and 8 m wide. because the technology results in such a thin material,
the panels which have a surface area of over 50 square metres can easily be folded and packed
into a trunk of a passenger car and weights less than 350 kg, including the crystals.
‘…when swarovski contacted me, I immediately thought of the translucent laminate sails
as a way of getting the crystals suspended in the air – not as an object but as a sheet or surface
through which light could pass and be reflected. like the chandeliers the array would be
diaphanous but with their curved surfaces these ‘fabrics’ could also define spaces and make
enclosures in the form of suspended ceilings, room partitions or even walls.‘ – GL