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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

‘shine’, made with electro luminescent polymer compund by vytautas puzeras, 2009 the glowing elements on the pad can be charged from natural sunlight during the day and then gleam until dawn
‘shine’, made with electro luminescent polymer compund by vytautas puzeras, 2009 the glowing elements on the pad can be charged from natural sunlight during the day and then gleam until dawn
‘queens chandelier’ by puff buff, 2008 made of inflatable PVC pockets that each contain an LED
‘blow light’, compact fluorescent lamp by tom dixon, 2009 photo by henry bourne blow light is specifically designed to accommodate a low energy compact fluorescent lamp
‘lucid dream’ made with LED’s by eric klarenbeek, 2006 it plays on the ability of glass to transmit light by internal reflection
‘bulb’ by balint bolygo, 2009 it us an opto kinetic sculpture that plays on the iconic image of the incandescent light bulb, while using an LED as the light source
‘light bulb’ by pieke bergmans
‘sonumbra’, solar powered electro luminescent wire by rachel wingfield and mathias gmachl it is a proposal for low cost, low maintenance lighting for regions without access to the electricity grid.