kickstarting a bank heist: under black carpets by ilona gaynor
kickstarting a bank heist: under black carpets by ilona gaynor kickstarting a bank heist: under black carpets by ilona gaynor
may 28, 2013
kickstarting a bank heist: under black carpets by ilona gaynor


kickstarting a bank heist: under black carpets by ilona gaynor
all images © ilona gaynor

 

 

 in a response to the subversive narrative of bank heists, ‘under black carpets‘ by london-based designer ilona gaynor presents an investigation
into the use and misuse of the cityscape, where architecture is considered both the obstacle and the tool for disparate agendas. understanding the
built form as an entity rather than a witness, the designer uses the parameters of the legal system and investigative methodologies and put these
limits in dialogue with the elements of architecture; namely circulation, mass and movement. working in collaboration with the FBI,  new york
department of justice and the LAPD archives, an iteration of the project is being presented at the lisbon architecture triennale with the hope that
further funding for more design probing will be possible. ‘under black carpets’ questions the algorithmic ability of architecture to posit a meticulous
deconstruction of several bank heists, using a real life case study of simultaneously occurring thefts in downtown los angeles, focusing specifically on
five different banks that centre the famous ‘one wilshire’ theft.

 

the designer on the project:

 

today’s legal
 and political decisions are often based upon the capacity to display and read DNA samples, 3D laser scans, nano-tech, and the
enhanced vision of electromagnetic
microscopes and satellite surveillance. from retinal scans, biological remains, landscape topographies,
to the remnants of destroyed buildings, forensics is not only
about diagnostics, but also about the rhetoric of persuasion. the aesthetic dimension
includes it’s means of presentation, the theatrics of its delivery, and it’s form 
of image and gesture.

 

 

 

scale model of downtown los angeles

 

 

the work is presented as site-specific forensic study utilizing a spatial-visual objects accompanied by a kit of parts. each scale figure and
model is presented as a catalog of protagonists; while each artifact is 
individually numbered to provide a clear reconstruction of the heists.
durational events are pin-pointed and etched on a grid of vertical and horizontal geographical
coordinates. the viewer is invited to examine and
ross-reference this collection, allowing a subjective interpretation of the events unfold from multiple,
 albeit constructed perspectives. models and
designed objects frame a flawed narrative that purposely lacks in linearity as it conflates and collapses time. the shortcomings of the architectural
landscape are purposefully curated with the intention of present the confusing, fragmented course of a police investigation and possibilities of the
fragmented physical/non-physical vestiges. the project does not propose a solution, but rather highlights the shortcomings of built space and the
immense difficulty of rebuilding time as it is complicated by history.
 

archaeologist michael shanks expands on stories and fragmentation:

 

‘stories are told… stories are extracted. stories are constructed in those operations which impose order and reason, of hygiene, empowerment and
disempowerment -
some believed, some discarded. there are miscarriages of justice, and can we ever know the mind of the criminal? entropic fragments,
traces, terminal associations, 
aftermath, degradation, the sedimentation of everyday life, haunting absences –
this is also, we propose, an archaeological sensibility.’

 

 


‘under black carpets’ kickstarter video

 

 

grid and indexed map of events

 

 

scale model detail

 

 

‘one wilshire’ and the surrounding five targeted banks

 

 

detail of the five other banks

 

 

presidential limousine: a presidential visit to the city creates a baracade, focusing news crew’s TV cameras on the vehicle and the president

 

 

the players: bystanders, witnesses, police, heros, jumpers, women and children, hostages

 

 

model details

 

 

the vessels: american airlines A300 drops its payload over one wilshire

 

 

appropriated US air force jet to a location over in west hollywood

 

 

model detail

 

 

four shooting silouettes, A2 posters

 

 

kickstarter reward memorabilia

 

 

kickstarter reward memorabilia

 

 

shooting targets + research

 

 

an inside look at the bank vaults

 

 

an inside look at the bank vaults

 

 

an inside look at the bank vaults

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