KEEP UP WITH OUR DAILY AND WEEKLY NEWSLETTERS
bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

the interior of miss kō was designed by phillipe starck
miss kō interior
a 26m long table runs the length of the restaurant
formal and informal logo
embossed logo
logo lockup
the logo and the imagery of miss kō come together in the business cards to create an unexpected juxtaposition of strangeness and tradition.
the miss kō identity is an eclectic mix of things taken from miss kō’s world… the cocktail menu is her private sketchbook, each cocktail is depicted as a crazy asian character and named after one of miss ko’s friends (ginza boy, madame keiko, li mon li, crazy mofo).
the dessert menu is a photo album saved from her childhood.
the food and drink menu covers are a celebration of miss kō’s tattoos. the repeated disembodied tattooed body-parts are both strange and beautiful, almost symbolic of the asian relationship to food and to the animal kingdom.
the miss kō signage was designed to replicate the many different bright, overlapping signs found in a busy asian street.
connected to the signage by a tangle of wires is a chest high animation of the miss kō logo to draw in passers-by from the street. each part of the signage displays the name Miss Kō in a different asian language creating a strange hieroglyphic effect.
the logo has animated versions, an ambient dancing rice animation is projected onto the floor. the rice occasionally comes together seemingly at random to create the miss kō logotype.