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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450
‘pit stop’ by bertjan pot photo: richard beck, murr
‘pit stop’ acts as a beanbag chair photo: richard beck, murr
‘pit stop’ on show at imm cologne 2011 image © designboom
bertjan pot with ‘pit stop’ portrait © designboom
‘rocker’ by doshi levien photo: richard beck, murr
nipa doshi and jonathan levien of doshi levien portrait © designboom
‘wonder box’ by monica förster photo: richard beck, murr
the ‘wonder box’ separated into table and bench photo: richard beck, murr
monica förster with ‘wonder box’ portrait © designboom
‘tur tur’ by eric degenhardt photo: eric degenhardt, köln
‘tur tur’ features storage with steps that are equipped with shelves of varying sizes photo: richard beck, murr
‘in-out mini’ by eric degenhardt photo: richard beck, murr
‘in-out mini’ by eric degenhardt photo: richard beck, murr
designer eric degenhardt portrait © designboom
‘famille garage’ by alexander seifert photo: richard beck, murr
‘famille garage’ comes with storage boxes of varying colors image © designboom
designer alexander seifert portrait © designboom
designers of the richard lampert kids’ collection from left to right: eric degenhardt, monica förster, bertjan pot, alexander seifert, jonathan levien with son, richard lampert and nipa doshi