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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2060
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +440

full view of the project’s pieces

gilad’s play with shape, void, and scale affect our interaction with the mirrors
the works incorporate antique venetian fabrics, byzantine mosaics, cords, sconces, and models of roman sculptures
the visual interplay between the mirror embellishments and the reflections encourages viewers to consider the relationship between past and present: not only what is but also what might have been
detail on ‘mirror 2’