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running until july 26th, 2026, the show marks the first time wes anderson’s archives have been publicly displayed in the UK.
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the spiral structure follows principles of fluid dynamics and thermodynamics to optimize heat distribution.
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the design centers around a sculptural turntable topped with thirty-nine individual wooden tiles that flip and shift in real time as music plays.
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the '6 pound phone case' is inspired by the rectangular brick phones of the 1980s.
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this table looks like it is inspired by a soft lace aesthetic, but made with an industrial material image © designboom
‘muscle’ by alexandre moronnoz for tôlerie forézienne, 2008 which takes its name from its form where portions of the benches are formed to create a ‘muscular’ seating area image © designboom
a detail of one of the four ‘muscles’ image © designboom
‘ondine’ by michaël bihain in collaboration with architect cédric callewaert tôlerie forézienne, 2008 looks like a massive undulating disk image © designboom
‘répétition’ by régis bigot and gaëtan grenier for tôlerie forézienne, 2008 is made from the same piece of bent thermo lacquered stainless steel repeated in a row to make a bench image © designboom
looking at the profile, one might wonder how the bench will actually hold someone if they sit on it image © designboom
‘soft bench’ by lucile soufflet for tôlerie forézienne, 2008 image © designboom
a slight bend in the bench provides a alternate ways of sitting on the bench image © designboom
‘interférences’ by alexandre moronnoz for tôlerie forézienne, 2007 is constructed from recycled steel image © designboom
from a side view, one can see that the steel bars are bent in random forms to create legs for the bench image © designboom