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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

inflatable monkeys on display at ICA’s tuttleman terrace
monkey…
‘monkey’ in its pre-inflated state
installing one of the typographic projects
general installation
left: the masters at schaller and weber are cutting down hundreds of slices of fine bologna beerwurst right: stefan sagmeister’s master jessica working on handmade bologna cards
laser cutting the world ‘happy’ out of bologna
‘the happy show’ invitation in progress
packaging the invitations
a 12-minute clip of ‘the happy film’ is on show as part of the exhibition
‘the happy show’ typographic logo