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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

outdoors, visitors to the exhibit are first greeted by fabric-wrapped planters in the shrine’s iris pond.
inside the treasure hall, ima used marimekko’s kevatjuhla cow print as a backdrop to the statue honoring this deified animal.
visitors continue to the neighboring library where prints lokki and joonas represent some of the exhibition’s more staid patterns.
a statue of the unicorn-like kirin.
marimekko fabric to recreate the lost statue.
‘the lost statue had the pattern on its side looked remarkably like the famous unikko pattern.’
the street for the shrine.
treasure hall
treasure hall