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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

the cover of ‘the vagina monologues’ by eve ensler
the cover of ‘lolita’ by vladimir nabokov
the cover of ‘a good year’ by peter mayle
the cover of ‘memoirs of a geisha’ by arthur golden
the cover of ‘bridget jones’s diary’ by helen fielding
the cover of ‘the hunchback of notre-dame’ by victor hugo
the cover of ‘homer’s daughter’ by robert graves
the cover of ‘the gambler’ by dostoyevsky
the cover of ‘cider house rules’ by john irving
the cover of ‘ireland’ by frank delaney
the cover of ‘quo vadis quo vadis’ by henryk sienkiewicz