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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

the pressed leather cover of ‘visionaire sixty religion’
arizona muse, photographed by mario sorrenti and camilla nickerson
christina ricci, photographed by daniele and iango
carine roitfeld, photographed by karl lagerfeld
lea t, photographed by pierpaoloa ferrari and giovanna battaglia
the photograph in the visionaire issue itself