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CHAPTER SPECTATOR AND SPECTACLE
the hacienda must be built: on spectacle and wonder in a disenchanted world
what if we are not overwhelmed by spectacle, but starved of it? our days are measured, optimized and increasingly predictable. we have never been exposed to more images, and rarely felt less enchanted by them. what feels missing is the kind of spectacle that cannot be scrolled past, with real stakes and an uncertain ending. in spectator and spectacle we look at the radical discotheques, the museum galleries staged like psychodramas, and the garments that turn the body into a walking act of rebellion. this chapter asks how wonder gets built, and how it might return some mystery to a world that has measured most of it away.
by sofia lekka angelopoulou
laterna magika brought projected images into live perfomance
josef svoboda and alfréd radok brought live performance and film together, creating a stage where bodies, images and space could occupy the same visual field.
the nightclub facade as a machine for manufacturing desire - françois prost
in his text, the french photographer describes how nightclub facades turn borrowed images and popular fantasies into architectural promises that remain visible long after the spectacle has disappeared.
silver bead necklace comes with seven ice cubes that sweat, shrink and eventually vanish
developed by GOLEM's ariel andré and laila el mehelmy, the ooOoooOoooOh la l’ice necklace turns water into a piece of wearable art that measures time on the body.
children’s illustrated worlds meet realities of seoul in yeondoo jung’s photographs
the series takes on new meaning at a time when images can be generated without the physical process once required to make them.

'for life is not a spectacle' barbara kruger wraps tadao ando’s rotunda in monumental texts
the american artist fills the concrete rotunda at the bourse de commerce in paris with text, covering the curved walls, the floor and twenty four display cases in the passage around it.
christopher glass made plaid explode and skyscrapers tilt for boots riley’s latest film
from his work on spike jonze's apple ad to the jungle book's live action sets, the production designer reveals how to create movie magic.
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andreas angelidakis
what does an artist listen to while building imaginary worlds? for andreas angelidakis, music sits alongside a practice that moves between sculpture, installation, architecture, digital culture and mythology. based in athens, the greek artist draws on the ruins, stories and contradictions of the city around him while looking equally toward virtual worlds, pop culture and speculative futures.

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