venice biennale 2001. photoreport on the 49th art exhibition ......................................................................................................................................

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do-hu suh (seoul, 1962) 'floor' supported by thousands of tiny arms of women and men, the individual dissolves into collective power. scale became a way of of organizing information and consciiousness. and 'who am we?' is the demonization of humanity, where homogeneous culture anesthetizes individuality for some greater good. 'floor', 1997 - 2000 by do-hu suh fast quicktime clip 'floor' (91kb) 'floor', 1997 - 2000 by do-hu suh fast quicktime clip 'who am we? ', (144 kb) 'who am we', 1996 -2000 by do-ho suh 'who am we', 1996 -2000 by do-ho suh

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