venice biennale 2001. photoreport on the 49th art exhibition ...............................................................................................................................................

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magnus wallin (kaseberga, 1965) we tend to categorise bodies in terms of good and evil, beautiful and ugly, useful and useless... wallin makes us aware of how the human body has become more fragmentised, to the point where it is now presented as a machine, we have adopted an increasingly relentless attitude towards bodies that deviate, function poorly or simply fail to fulfil the current criteria for beauty. 'exit', 1997 3D-animation fast quicktime clip 'exit' (70 kb) 'exit', 1997 3D-animation

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