zhang huan: hope tunnel at UCCA
'hope tunnel'
ullens center for contemporary art (UCCA), beijing
on now until october 24th, 2010

installation view of train wreck at 'hope tunnel' exhibition
image © designboom
chinese conceptual artist zhang huan's latest exhibition 'hope tunnel' is a curated
social project related to the 2008 earthquake in wenchuan, sichuan province.
the show features the remains of the train which crashed during that period of
disaster. according to huan, it allows people to reflect on the scale of the catastrophe,
commemorate the victims and contemplate the possibility of reconstruction and
the challenges that lie ahead.

image © designboom
'it is a witness to history. at a time when the whole world is looking forward toward
the future, preserving the past seems more important than ever. reflecting on the disaster,
investigating the causes, mitigating future dangers and finding ways to live in harmony
with our environment rather than trying to conquer it - that's where the real future is,
the tunnel of hope that leads us to tomorrow.'- ZH

image © designboom

image © designboom

image © designboom

detail of train wreckage
image © designboom

detail of train wreckage
image © designboom
zhang huan was born in 1965 in anyang, henan. he currently lives and works in shanghai.
before relocating to new york in 1998, he was heavily involved in the beijing art scene
in the 1990s. in america, he became a full time artist working in a variety of different
mediums and giving artistic performances in major cities worldwide. in 2005, he returned
to shanghai and established the zhang huan studio. with his desire to expand new realms
and develop new forms of creative processes, he pioneered the ash painting technique
amongst many others such as sculpting in ox-hide, wooden door carvings and woodcuts
with feather additions. more recently, huan directed and stage-managed the lyric opera
'semele' performed at the la monnaie royal theatre in belgium. he is the first chinese,
modern artist to direct a lyric opera.

detail of train wreckage
image © designboom

'militart officer' and 'cultural officer'
image © designboom
in addition to the main exhibition are large oversized sculptures titled 'military officer'
and 'cultural officer' found in the lobby of UCCA. zhang huan crafted them using
incense ash collected from some twenty temples in and around shanghai. the process
of doing this required great patience, as no monk or abbot would accept payment for
such material. huan had to convince the temples of the purity of his intent before removing
them off-site to his studio. during his production process, he sorted and mixed the ash with
a binding agent before molding them in various shapes. overtime, the sculptures will shed
a certain amount of their surface material, highlighting the ephemeral nature of art.

side view of 'military officer' and 'cultural officer'
image © designboom

back view of 'military officer' and 'cultural officer'
image © designboom

detail of 'cultural officer'
image © designboom
being shown concurrently to 'hope tunnel' is erwin wurm's 'narrow mist' exhibition.
for more information, read designboom's previous coverage here.
zhang huan: q confucius
the exhibition employs confucius as a symbol of eastern moral and political philosophy in response to traditional and modern chinese culture and spirituality.
huan zhang: east wind, west wind
the exhibition of works includes ash paintings, cow skin faces, memory doors, and ash sculptures, as a whole reflecting and interrogating eastern and western cultural beliefs and their relationship to one another.
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