birkenwald by martin kippenberger at the temporary stedelijk

'jetzt gehe ich in den birkenwald, denn meine pillen wirken bald' (now I am going into the birch wood, my pills will soon start doing me good)
installation by martin kippenberger , 1991
cardboard, plastic, offset prints, metal, wood
collection estate martin kippenberger, galerie gisela capitain, cologne, germany
installation image © designboom
martin kippenberger reconstructs a forest complete with over- size pharmaceuticals and branded pills to enhance the journey :
'jetzt gehe ich in den birkenwald, denn meine pillen wirken bald' / now I am going into the birch wood, my pills will soon
start doing me good -- unfortunately only the original, the german title reflects kippenberger’s play with language.

'jetzt gehe ich in den birkenwald, denn meine pillen wirken bald' installation by martin kippenberger
installation image © designboom
'birkenwald …' was first produced as a room- size installation using the trunks of actual birch trees installed from floor to
ceiling in his exhibition at galerie anders tornberg in lund, sweden, in 1990.

martin kippenberger pharmaceutical forest installation
installation image © designboom
german artist martin kippenberger (1953 - 1997) typically produced alternative versions of many of his works, and presented here
is the artificial and portable version using photographic replicas of the original birch trees, together with a selection of lanterns,
which he began to produce in 1988 in the south of spain. twisted, bent, turned into a periscope and made split-legged,
their anthropomorphic qualities can also be read as self-portraiture.

martin kippenberger pharmaceutical forest installation
installation image © designboom
the temporary stedelijk at the stedelijk museum amsterdam
august 28 , 2010 - january 9, 2011
martin kippenberger's installation is part of the current exhibition 'taking place' at the temporary
stedelijk
(the stedelijk museum amsterdam). by addressing its history, the spatial and temporal conditions of the
unfinished building
and the ways in which artists use, occupy and animate museum spaces, 'taking place' shows works by local,
national
and international contemporary artists,
who range from well-known and established figures to emerging artists.
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roman ondák's project is a living infographic, a plotting of visitors' heights whose mean will become increasingly apparent over the four months of the temporary stedelijk.
rineke dijkstra: I see a woman crying at the
I see a woman crying (the weeping woman) - in this video work by, a group of schoolchildren are in a serious discussion regarding the meaning of picasso’s 1937 painting.
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