ayse erkmen at venice art biennale 2011: plan B
ayse erkmen's work 'plan B' at arsenale
image © designboom
turkish artist ayşe erkmen’s sculptural installation ‘plan B’ draws on the ineluctable and complex relationship venice has with water.
her project transforms a 300 sq. meter room inside the arsenale into a complex water purification unit where machines perform
as sculptures, encompassing the audience inside of the filtration process, which eventually provides clean, drinkable water back
to the canal.

the project transforms a room inside the arsenale into a complex water purification unit where machines perform as sculptures, enveloping the audience inside of the filtration process
that provides clean, drinkable water back to the canal
image © designboom
drinking water is a subject that interests and affects people in many ways.
the BERU 4000/800 plant consists of a pre-filtration with backflushing-enabled disc filters, ultrafiltration and reverse osmosis.
it can supply about 4,000 litres of drinking water per hour.
each component of the filtration unit has been separated out, humorously disseminating the machinery throughout the room then
reconnecting the elements with extended pipes. erkmen choreographs the elegant industrial forms to draw attention to the process
of transformation, at the end of which, the purified water is returned to the canal: a futile, yet courageous gesture against the
overwhelming scale of the canal and the ocean.

ayse erkmen's work 'plan B' at arsenale
image © designboom
‘plan B’ abstractly conveys systems and processes that we are part of
daily: blood circulating through the body, capital flowing through
borders, the mechanisms of authority, the supply of natural resources.
while proffering a poetic reference to the potentiality of change,
the
work is simultaneously a subtle, humorous critique of the euphoria for
unsustainable short-lived solutions within the complex
systems and
structures that surround us.

each component of the filtration unit has been separated out, disseminating the machinery throughout the room then reconnecting the elements with extended pipes.
image © designboom
‘plan B’ refers to the back up plan when the hypothetical ‘plan A’ fails.
this expression becomes a common feature of conversation in the build up to the venice biennale with the myriad of planning and
production issues it presents, and the competitive temperament that its scale and style provokes.

ayse erkmen's work 'plan B' at arsenale
image © designboom

ayse erkmen's work 'plan B' at arsenale
image © designboom

ayse erkmen's work 'plan B' at arsenale
image © designboom

ayse erkmen's work 'plan B' at arsenale
image © designboom

ayse erkmen's work 'plan B' at arsenale
image © designboom

ayse erkmen's work 'plan B' at arsenale
image © designboom

ayse erkmen was given a room with a window in the arsenale -- her artwork entitled 'planB' makes use of it.
from here the canal water enters the room in violet pipes and, after the cleaning process, returns into the canal through turquoise pipes
image © designboom

ayse erkmen
portrait © designboom

ayse erkmen offers konstantin grcic a glass of purified water
image © designboom

a tote bag that contained the catalogue of the exhibition was designed by industrial designer konstantin grcic and attracted considerable attention
the pavilion of turkey
is is located at the artiglierie, in the arsenale complex, and was curated by fulya erdemci, with danae mossman as curatorial collaborator.
the exhibition has been organised by the istanbul foundation for culture and arts (İKSV), and is sponsored by FIAT.
it is realised under the auspices of turkish ministry of foreign affairs, with the contribution of the promotion fund of the turkish prime ministry.
the 54th international art exhibition, with the title of ILLUminations (ILLUMInazioni), curated by swiss art historian bice curiger
-- the curator of the zurich kunsthaus and co-founder of the art magazine 'parkett' -- opened today, on saturday june 4th and will be accessible
to the public until november 27th, 2011.
considerable attention."
Can we see a pic?
that is what ayse commented too.
maurizio cattelan at venice art biennale 2011
while we are impatiently waiting to see the upcoming retrospective of italian artist maurizio cattelan at the NY guggenheim, we remind our readers to visit his most recent installation in venice.
OMA: fondazione prada
sited in south milan, the design aims to generate a new gallery typology that speaks to the evolving nature and interpretations of art, fashion, design, technology and cinema.
federico diaz: outside itself
drawing from the notion of viral growth, this site-specific installation is mathematically programmed to respond to viewer's interactions, then self-replicate, morphing into a life form unto itself.
sholi strauss + studiokahn: dominiq
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design time breil award ceremony
curved visions digital art competit
GRAPHIC DESIGN - may 17 - july 17
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