mike + doug starn: big bambu at the venice biennale

mike + doug starn: big bambu at the venice biennale


'big bambú' by mike and doug starn of starn studio, venice, italy
image © designboom



currently on display at the 54th venice biennale is 'big bambú', an evolutionary and complex structure by
american artists and brothers mike and doug starn. previously installed on the roof of the metropolitan museum of art in new york
- where it ranked forth in the world for total attendance of a contemporary exhibition in 2010 -  the piece is being presented as an
official collateral exhibition, part of a special project by glasstress

sculptural and experiential, the hollow bamboo structure features a spiraling and undulating trail which leads visitors to an expansive
lounge fifty feet above the grand canal. meandering through the courtyard of casa artom next to the peggy guggenheim collection,
the organic and woven maze remains in a state of constant flux, complete but never at rest. the artists, along with a crew of eleven
rock climbers, will continue to lash together more than 3,000 bamboo poles, extending the pathway upwards and adding an additional
fifteen to twenty feet of height until the dismantling - expected to last two weeks - begins on june 18th.



view of top part of the structure
image © designboom



mike starn states,
'it is a sculpture, but not a static sculpture. it's something that exists through the presence of the people inside it.
it's an organism that we, and the crew of rock climbers, are just a part of--helping to move it along.
we are constructing an ongoing tower, growth and change remain invariable, and they are a constant.'




details
image © designboom


doug starn, adds,
'we have a philosophy of chaotic interdependence; of how every complex thing grows and evolves (animal, social structures, etc…),
and 'big bambú' actually physically presents it, it is philosophical engineering. everything depends upon one another and the loads
are distributed throughout, the interdependence is natural and fluid. there is not too much weight applied to any one thing.'



exterior
image © designboom




details
image © designboom



in addition to the 2,000 fresh cut bamboo stalks harvested from a farm in france, the current installation utilizes several fragments
salvaged from last years exhibition at the met. poles from both locations will be used again at stem cells in future projects or as
stand alone sculptures, while others will be stored in europe or the united states.



the bamboo stalks directly intersect with the ground
image © designboom



stairs at entrance
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detail of stairs
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spiraling trail
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the trail overlooking casa artom and the peggy guggenheim collection museum
image © designboom



view on canal grande
image ©  designboom




detail of bending pathway
image © designboom



a complex network of intersecting poles 
image © designboom




detail of 'wall'
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view of san marco
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detail of connections
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rooftop lounge
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rooftop lounge
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new stalks and fragments salvaged from last years installation
image © designboom




floor of rooftop lounge
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detail of pathway
image © designboom




looking up at the spiraling trail
image © designboom




view from canal grande
image © designboom



glasstress
is a collateral event of the 54th international venice biennale, which is now its its second year after it debut in 2009.
conceived by adriano berengo, the contemporary art exhibition collaborates with prominent artists and designers from around the
world to showcase their talent and creative expressions.

jayme db
06.06.11  
9
philosophical engineering...?????
gaston   06.06.11
if Venice was not the background of those pics, this work would be nothing
Ivan   06.07.11
wonderful, what a wild thinking it is!
Moniruzzaman Mondal   06.07.11
Ivan, you have to admit that from a structural and engineering standpoint this is pretty amazing.
CathS   06.07.11
@CathS: possibly... but I don't get the point of it. It's not aesthetically pleasing either, at least to me. It looks more like the projection of a headache.
Everybody (or, almost everybody) can mess up, complicate things. Not a difficult task indeed. But, say, Apple is a winner because it simplifies things, rather than complicating them, which of course does not mean banalizing them.
Ivan   06.07.11
Great experimental work ! Should be shown to bamboo basic design students about the many creative uses of bamboo and then ....... many years of research to make this lesson valuable . What will they do with bamboo poles and cords after the Biennale ? I suggest artists should know more about product life or ..... not ?
acertext   06.07.11
Ivan, you miss the point entirely. This is not an engineering project, it is an Art project! It is DESIGNED to be a confusing, rickety, organic, whimsical, human endeavor created by hands,not machines. If your highest aesthetic is the Apple computer then I shudder for the fate of all of us laughing, hairy, art-making monkeys.
Sav Yosef   06.07.11
Cool.Probably much cooler in the flesh tho.
Mike H   06.11.11
Reminds me of a giant birds nest - which is a good thing :)
This would be great in a more natural setting too. Imagine finding this in a woodland and being able to climb to the top to look out over the tree tops or at an ocean view.
I do agree that industrial design can transcend its purpose when simplified yet this is not an exercise in design; it's art and therein lies the difference.
Lombax   06.11.11

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