jaime hayon: testa mecanica at glasstress 2011

made from mirrored blown glass, this installation recreates velvet ropes that typically separate elite crowds from the rest, arranged in a maze-like formation but including an open point for entry.

emu is part of a larger series entitled 'pixcell' in which the artist utilizes glass beads to cover entire surfaces of objects, mostly taxidermied animals, giving them the vision of 'the cell of an image'.

his first work with glass material, this reconstruction of a waste system extends the artist's themes of self-sufficiency and interdisciplinarity.

while we are impatiently waiting to see the upcoming retrospective of italian artist maurizio cattelan at the NY guggenheim, we remind our readers to visit his most recent installation in venice.

sited in south milan, the design aims to generate a new gallery typology that speaks to the evolving nature and interpretations of art, fashion, design, technology and cinema.

drawing from the notion of viral growth, this site-specific installation is mathematically programmed to respond to viewer's interactions, then self-replicate, morphing into a life form unto itself.

the armchair follows the curves of the body, resulting in an organic and ergonomic seat which is comfortable while taking aesthetics into consideration.

the collection of decorated porcelain characters have been designed with the intention to integrate the artistic expression of designers hailing from various places and perspectives.

this table top sized sculpture stands proud and straight with a dynamic watch-out position toward the horizon, inviting us to reflect on the importance of staying positive to what the future may bring.