andré chénier opera on the lake at bregenz
the floating set designed by david fielding for the bregenz opera festival lakefront performance of umberto giordano's 'andré chénier'
image © bregenzer festspiele / karl forster
under the artistic direction of david pountney, stage designer david fielding brings the opera 'andré chénier' to life
for the 'opera on the lake' floating stage ('seebühne') of the 2011 bregenz opera festival in bregenz, austria.
the waterproofed set is built directly into lake constance, mounted upon a concrete core anchored into the base of the lake,
while wooden poles support accessory structures of the stage. fielding's design for 'andré chénier' is dominated
by an oversized face and torso-- modeled after the revolutionary jean-paul marat-- from whose left eye
streams a series of stairways. an open book to stage right of the figure is frequently highlighted throughout the performance
with special lighting effects, ranging from sculptural installations to elaborate gobos that cast shadow scenes along its pages.
at water level, a floating platform, 'carried' by what appears to be the hand of the statue, moves in response to plot action.
other mobile set pieces rise in and out of the water over the course of the performance.
written by italian composer umberto giordano, the opera retells a story of love and death during the french revolution.
the bregenz festival performances of the show run through august 21st, 2011, with additional performances in the summer
of 2012. the proscenium theatre of the seebühne stage seats 6,800 persons in stadium seating.
more info on the festival website

the set, with the face of revolutionary jean-paul marat swung back to reveal an interior set
image © bregenzer festspiele / karl forster

detail view
image © bregenzer festspiele / karl forster

an oversized book to stage right is the site of performance and unusual lighting
image © bregenzer festspiele / karl forster

full view of the stage on lake constance in bregenz, austria
image © bregenzer festspiele / karl forster

a choreographed performance atop the statue's head
image © bregenzer festspiele / karl forster

view of stage base, during a rehearsal
image © bregenzer festspiele / karl forster

performance view
image © bregenzer festspiele / karl forster

set, light, sculpture, and shadow work together
image © bregenzer festspiele / karl forster

the stage by night, lit in colours reminiscent of the french flag
image © bregenzer festspiele / karl forster

additional view
image © bregenzer festspiele / karl forster

additional view
image © bregenzer festspiele / karl forster

a performer rappels between parts of the set
image © bregenzer festspiele / karl forster

an oversized oval frame provides a site for acrobatic performance during the opera
image © bregenzer festspiele / karl forster
director: keith warner
set design: david fielding
lighting design: davy cunningham
costume design: constance hoffman
choreography: lynne page
sound design: wolfgang fritz
featuring conductors ulf schirmer, luke vasilek, and benjamin paint
with the wiener symphoniker, prague philharmonic choir,
and bregenz festival choir respectively.

3D computer rendering of the structural framework of the set
image © bregenz festival / simon wimmer

3D rendering of set
image © bregenz festival / simon wimmer

constructing the figure of jean-paul marat
image © bregenz festival / dietmar mathis

full aerial view of the theatre during construction of the set
image © bregenz festival / dietmar mathis
I see there influences between Dali and Hieronymus Bosch.
how about saying why?
perhaps because as per the design, it's a tad too challenging for you?
May I ask, Where is the audience and Site lines appropriate?
No Matter... a revelation of engineeering and art.
BRAVO!
...And the Budget! Oh Yeah!
lol
No really I love it, but you can see the resemblence!
ikea goes to the opera
showing the diverse range of its products, two operas were furnished with the swedish furniture company's products at the teatro carlo felice in genoa, italy.
rafael vinoly architects: 2011 bard summersca
his third creation for the stage, the internationally-recognized architect has completed the set design for new york's first fully-staged production of richard strass's 'die liebe der danae'.
snarkitecture: why patterns stage design
on a stage devoid of props or scenery, thousands of ping pong balls serve as both set and performer in 'why patterns', where dancers interact with the balls in a series of games and spectacles.
zündel cristea: mixed-use buil
j.meier: complex structure
BREIL new times
nils kajander: BREIL paparazzo
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