burn-carved vintage records by scott marr

'records time' by scott marr
carved record and ochre
25cm
all images courtesy the artist
australian artist scott marr has developed a collection of carved records. each discarded vinyl has been altered by
the artist's preferred method of carving by burn-markings with a hot poker, known as pyrography. each of the 78's,
manufactured in the early 1900's to play sounds such as walter r. rogers and his band's rendition of 'king cotton march'
have been repurposed as visually communicative objects. the precise movements of marr's carving results in an assemblage
of disks depicting antiquated technology as something which both remains frozen in the era from which it was created,
while also melding into an object with less purpose and more appreciative of natural components such as fire, bones and time.
'what do you do when you have a whole heap of scratched up 78's? you carve in new information,
and hope that the people understand.' -scott marr

'records dark matter'
carved record
25cm

'records fire'
carved record and ochres
25cm

'records bones'
carved record and ochre
25cm

'records strings'
carved record and ochre
25cm

'records revert to time'
carved record and ochre
25cm
there are some rather nice ones inbetween ... but not as original as these...
vinyl ad plays will.i.am track
agencia africa has integrated will.i.am's soundtrack 'great times' into an advertising campaign for budweiser. the song can be played either on a record player, or through the embedded QR code and speakers...
doug aitken: the sleepwalkers box
the MoMA facade film projection conducted by the the artist in 2007 in addition to recorded music and conversation is now compiled in a multi-sensory experience limited edition kit.
simon fujiwara: vinyl art cover for unFLOP
packaging and cover art for the third edition of the biannual contemporary magazine has been designed by the influential young artist.
estudiosat: artica kitchen
sholi strauss + studiokahn: dominiq
design time breil award ceremony
curved visions digital art competit
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