jim hodges: reflective boulder installation

'untitled' by jim hodges, 2011
installed at barbara gladstone gallery, new york
image by gladstone gallery
all images courtesy walker art center
new york-based installation artist jim hodges has created 'untitled', a major outdoor sculpture comprised of four massive boulders
with a half-steel skin to be arranged in a circle on a field. the boulders which comprise 'untitled' weigh between eight
to thirteen tons
and all reach a height of more than six feet tall. each of the components feature a high-polished stainless steel surface upon a rock
in four shades including pink, blue, gold and lavender. the added skin of steel is melded to the surface of the boulder highlighting
the size and curves in the surface of each rock. the artist conceived of the installation as one in which the rocks would be configured
in a natural landscape in a circle. in this
way that visitiors would walk between the boulders, the light refracting
from the boulders'
reflective surfaces interacting with the movements of the
gallery goer's form.
in order to create a smooth surface, body putty was first applied and
then a mould was made from the stainless steel cast.
the rock surface
was then chiseled in order to create texture for the steel veneers to
adhere to. the steel sheets were painted
with a clear-coat and dye
mixture, finally pinned to each massive rock. the result is a massive
sculptural work that possesses
a sense of fluidity while also remaining
intrinsically fixed. each boulder mirroring a natural shape while also rejecting and concealing its form.
'untitled' is part of a major retrospective of hodges' work to be displayed at walker art center in minneapolis, minnesota, USA
set in the minneapolis sculpture garden in 2013.

a detailed view of the sculpture

additional perspective of the surface

the deinstallation of 'untitled' at gladstone gallery
image courtesy gladstone gallery

to create a support system for the boulders during transportation, a steel i-beam system was developed
image courtesy gladstone gallery

the massive rocks range from 8 to 13 tons
image courtesy gladstone gallery

olga viso, walker art center executive director, discusses the installation of 'untitled' with art center staff
image by gene pittman, walker art center

the photo-composite of the upcoming outdoor installation
photo by cameron zebrun
photo composite by gene pittman

conceptual sketch of 'untitled' completed in 2011
Congratulations
we prefer mimesis in place…transporting just the shape, …our group formed by Carlos Casimiro da Costa, Jacinta Casimrio da Costa, Sara Bento Botelho e Ricardo Gonçalves (quatro pontos), do not transport stones, only their form,…this is,… from the mountain to the square, from highlands to museum\'s and gallery\'s.. Just going around, looking constantly for a particular stone, involving is atmosphere, searching their details in nature, and then replicate…
we do not search novelty, just the humbled process of mimesis,… proposing a kind of (al)ready-made… a continuous liquid modernity of copy \'C\' and copy \'V\'...
Here is the link for the project for the Museum of Modern art in Bragança (2008) and Imaginarius in Santa Maria da Feira (2010)…
the first stone came from the National Park of Montesinho, the second came from Serra da Freita, a special place that reinforces our aim, where there is a rare geological phenomenon called stone breeders an ancient tradition of the region (nodules that ‘born’ from blocks of granite), representing symbolically small stones of fertility.
Thank you for your attention , ‘four points’ . quatro pontos . . . .
http://www.youtube.com/watch?v=_O94R_BfaBA&feature=related
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