shift magazine interview the artist su-mei tse

shift magazine interview the artist su-mei tse


chambre sourde (anechoic room), 2003 / installation, courtesy peter blum chelsea, new york
photo credit: cameraphoto arte © su-mei tse


luxembourgian artist su-mei tse's paintings and sound installations have been compared to haiku poetry
by art critics. 'in her work she uses constantly shifting, constantly re-examined points of view to work
towards harmony between apparently antagonistic organic, material and cultural elements. sound,
rhythm, and music are important components in her work, which is characterized by a placing in
suspension, moments of silence and an invitation to a degree of introspection'. in 2003 she represented
luxembourg at the venice biennale of art and won the golden lion award. since then she has shown in
london, paris, new york and next year su-mei tse will have a solo exhibition at the art tower, mito, japan
from feb 7 until may 10 (2009).
 
 read shift magazine's interview with su-mei tse



pieds bandés (bound feet), 2000, photography,
courtesy beaumontpublic, luxembourg & peter blum chelsea, new york © su-mei tse




les balayeurs du desert (the desert sweepers), 2003, courtesy peter blum chelsea, new york
videostill © su-mei tse




sumy, 2001 / su-mei tse & jean-loumajerus / courtesy the artists & peter blum chelsea, new york
photo credit: jean-lou majerus © su-mei tse




der specht (the woodpecker), photograph mounted on aluminium © su-mei tse



proposition de detour, 2006 / sculpture, exhibition view casino, forum d’art contemporain, luxembourg
private collection, taiwan / photo credit: roman mensing, artdoc.de © su-mei tse


andy db
09.03.08  
0

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