threshold: forging narratives in south asian contemporary art
threshold: forging narratives in south asian contemporary art

‘stretched bodies 24’ by bose krishnamachari, 2007 (acrylic on canvas)
threshold: forging narratives in south asian contemporary art
aicon gallery, new yorkfebruary 19 - march 31, 2009
beginning february 19th, new york’s aicon gallery will present a group show of artists represented by the
gallery titled, ‘threshold: forging narratives in south asian contemporary art.’ while indian art has been
slowly emerging for some time, large-scale survey shows are now being held at gallery’s like japan's mori
art museum and serpentine gallery. at this pivotal point in the history of indian art, aicon gallery aims to
articulate the multiplicity and diversity of the country_s art scene. this show intends to offer knowledge
about indian art, while also questioning the established understanding. eleven artists are included in the
show, each showing work which explore representation, subjectivity and identity. to fully question the|
understanding of indian art, the gallery has also included pakistani artists.
http://www.aicongallery.com

‘peace protest’ by t. v. santhosh, 2004 (oil on canvas)
courtesy of the artist and aicon gallery

‘ethnography - spectacle and artifice’ by baiju parthan, 2001
(acrylic on canvas)

‘dusk’ by indrapramit roy (watercolor on paper)
courtesy of the artist and aicon gallery

‘portraits – 5’ by imran qureshi (gouache and gold leaf on wasli)
courtesy of the artist and aicon gallery
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