sean cordeiro and claire healy at la BF15

installation view
images courtesy of the artists
australian artists claire healy and sean cordeiro develop sculptural work in a variety of media.
through their art, they raise socio-political issues such as globalization, mediatic culture
and consumption. prem is a colloquialism used to claim the right of possession over an object.
the idea that we can have something just by being the first to name it still works geographically,
with the claim land rights, but also biologically with the copyright and other human genetics.
for their exhibition at la contemporary art biennale (la BF15) lyon, france they have reproduced,
using lego blocks, the terrain of a region in china known as china's 'area 51'. this region was
discovered in 2006 thanks to satellite images of google earth. this area appears to be an exact replica
in scale 500:1, of the 157 500 km2 of the chinese province aksai chin, which borders on india
and pakistan. the area is important for chinese because it connects tibet with a road that the
chinese built in 1962. experts say that this model could've been built for military purposes.
the duo continue to consider this mystery by making a portable replica of the existing model.




detail, aksai chin, 2009


source image, 2009 - google earth image

claire healy and sean cordeiro began collaborating on works in 2002 during the final years
of studying their masters in fine arts at the university of new south wales.
bringing together ideas of home, permanency and collection, healy and cordeiro create sculptures
and installation works that reuse, reform and contain the everyday consumables and detritus
of modern life. the duo is based in berlin and spend some of each year in australia.
since exhibiting at artspace, sydney in 2003, the artists have lived and worked in various parts
of the world, being awarded the helen lempriere traavelling arts scholarship,
kunsterhaus bethanien residency in berlin and anne and gordon samstag awards.
their work has been shown at the art gallery of NSW and GOMA in australia and they have been
included in many curated exhibitions internationally.
I agree with all above (or, below, I'm not sure where this comment will fall). I've seen better constructs from children, without the "socio-political issues such as globalization, mediatic culture and consumption" rigmarole.
Please, artists, try to learn something from the children that the toys were made for. If want to make cool things out of LEGO — just say, "Look at these cool things we made out of LEGO!"
Oh, yeah, NOW I get it.
Have you even stopped to think for a second that the artist has chosen the media to communicate the meaning in the work (globalisation, waste and consumption) rather than just as an aesthetic choice?
The artist have used their material in an intelligent way to assist in communicating the message of their work in a way which strikes nostalgia relates to their audience, asking them to reconsider what is good about the world.
earth blocks
composed of compressed sawdust, coffee beans, or green tea leaves, the toys offer a sustainability-minded spin on the stackable, rearrangeable form of classic LEGOs.
novus: lego brick carpet
a 120 foot 'red' carpet for 'toy story 3', currently at london toy fair, has a printed design featuring colored lego chips.
LEGO stop-motion marriage proposal
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SELFPROMO - january 17 - march 17
POP UP - january 17 - march 17
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