beat takeshi kitano, gosse de peintre
fondation cartier pour l’art contemporain, paris
march 11 to september 12, 2010


view of the exhibition: installation that examines the extinction of the dinosaurs.
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain

takeshi kitano (also known as beat takeshi) has thrown himself into 'gosse de peintre',
an unusual project that subtly alights in the realm of childhood. this site-specific exhibition
has been entirely created by the filmmaker, actor, TV presenter,comedian, painter...and writer,
for the fondation cartier pour l’art contemporain. with paintings and videos, bizarre objects
and settings, whimsical and fantastic machines, kitano leads the visitor through surprises,
gags and games, all the while mocking contemporary art, experimenting with the sciences
and toying with clichés associated with his country, japan. irrepressibly curious, passionate about
the acquisition and passing on of knowledge, he adroitly switches genres and idioms,
moving from violence to comedy, from over-the-top performances to deeply restrained ones.

the artist has transformed the museum into an amusement park in which all the worlds of
beat takeshi kitano take center stage. popular culture and scientific inquiry, the imaginary
and the satirical, tradition and education, the beautiful and the kitsch, all co-exist in a setting
that is at once diverse and cohesive.

this first exhibition of beat takeshi kitano is one of the most ambitious projects ever created
for the fondation cartier. it is designed for children, but speaks to adults. with gosse de peintre,
kitano takes children seriously and invites them to think, to dream and to join the show.
workshops and guided tours for children and families are offered to the public.
curator is isabelle gaudefroy.




sketch of the exhibition setting
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain

while this insatiable artist finds inspiration everywhere, two leitmotifs occur frequently in his work:
his fascination and nostalgia for childhood, and his relationship with the image, which is fundamental
to his creative approach. this passion for the image is also evidenced by a prolific output of paintings,
many of which appear in his films. reluctant to institutionalize his artwork, which he deems essentially
a private endeavor, kitano has never submitted to the numerous requests of museums to exhibit his work.
his decision to accept the fondation cartier’s invitation resulted from meeting with its director,
hervé chandès, and their numerous discussions during which arose the idea of a site-specific exhibition
geared toward children, designed as one gigantic installation.


'dharma'
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain

very popular in japan, these lucky charms are named after the founder of zen, 'bodhidharma',
who, having meditated for nine years while facing a wall, saw his legs and arms atrophy.
conventionally, these japanese figurines are red and their eyes remain unpainted, allowing those
who buy the charms first to make a wish while painting the left eye and once the wish is granted,
finish by painting the right eye.


view of the exhibition
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain

'my attitude to art in general, and to contemporary art in particular, is that it doesn’t
have to be serious. I want people who come to see my installations to just relax and enjoy,
to have as much fun as I did when I created them. more than visitors at an exhibition,
I want them to be participants. why not have fun? with this exhibition, I was attempting
to expand the definition of 'art', to make it less conventional, less snobby, more casual
and accessible to everyone.' - B.T.K.

excerpt from the interview with beat takeshi kitano by michel temman, published in the exhibition catalog


view of the exhibition. the entire ground floor is surmounted by three large rings that support some two
hundred figurines called 'dharma', who seem to be looking over the visitors and the exhibition.
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain

modern science reveals the truth about dinosaur extinction:
'if you watch TV programs on this subject, for instance, on the discovery channel,
they try to give you detailed scientific explanations as to why the dinosaurs disappeared.
they usually say that a meteorite hit the earth, that the temperature of the planet dropped,
and this caused the dinosaurs to die out. but I offer a different, comic version.
those dinosaurs had short arms, which probably made it hard for them to wipe their behinds.
and so the hypothesis is that their disappearance was due to the lack of hygiene in their environment!'
- B.T.K.

on the lower level, there is a dinosaur painting workshop where the visitor can imagine
the original colors of these now extinct creatures. using a paint gun, the lucky lottery winners
(a small sticker on your entry ticket indicates whether you’ve won) get to color the dinosaurs
however inspiration may lead.


view of the exhibition: the kitano sewing machine 'hideyoshi'
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain

grandly seated in the middle of the room, a gigantic, clattering, laughably inefficient
sewing machine serves as an ironic metaphor for contemporary art. the sewing machine
is entitled 'hideyoshi' - toyotomi hideyoshi is the name of a 16th-century japanese warlord
who unified the country following a century of upheaval.

there is a series of chimaeras which kitano has imagined, grotesque hybridized animal parts, 
sometimes combined with human parts or machinery.


chameleon-motorbike
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain


hippopotamus-ranchu, 2010
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain


elephant - gun, 2010
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain


drawing of more chimaeras
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain


drawing of tama-jii  and kon-tan
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain

in a shed in the garden tama-jii and kon-tan depicts the two opposing spirits found in all humans
and all trees. embodying the positive side of the human soul, 'tama-jii' is a portmanteau word
coined by kitano composed of tamashii (spirit or soul) and jii (old man). kon-tan (schemer)
embodies the negative side of the human soul. in humans, kon-tan is situated near the intestines
and tama-jii near the heart. in trees, the former withers the branch in which it lives, whereas the latter
fortifies it.


'tama-jii'
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain

the exhibition also presents a large collection of beat takeshi kitano’s paintings,
presented here for the first time. despite his prodigious output, beat takeshi kitano considers
himself an amateur painter. for him, painting is as much a writing implement as it is an outlet.
figurative, even narrative in style, the twenty-four paintings, some of which were produced
for this exhibition, seemto explode in colors and are reminiscent of naïve art.


painting, 2009
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain


painting, 2009
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain


painting, 2009
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain


poster of the exhibition
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain


'who are you who is looking at me?!'
© office kitano inc. photo yoshinaga yasuaki
courtesy fondation cartier pour l’art contemporain

'who are you who is looking at me?!' - this 'self-portrait with brain' hints at the spirit of the exhibition,
a veritable journey into the heart of kitano’s imaginary world. following his 1994 motorcycle accident,
kitano refused to have a craniotomy.

'it’s true that if my surgeon sees these paintings, he’ll probably think he should have operated
on me right away!' - BTK

beat takeshi kitano
portrait  © office kitano inc
courtesy fondation cartier pour l’art contemporain

takeshi kitano born in japan in 1947, takeshi kitano is a well-known filmmaker whose
works include sonatine (1993, critics award at the cognac festival du film policier),
hana-bi (1997, golden lion award at the venice film festival), and zatôichi
(2003, silver lion award at the venice film festival). he also works in japan presenting
eight weekly television shows.