kazuyo sejima by annie leibovitz for vogue

the japanese architect kazuyo sejima is the first woman to direct the venice architecture biennale,
since its inception. recent directors of the venice biennale's architecture section include:
massimiliano fuksas (2000), deyan sudjic (2002), kurt w. forster (2004), richard burdett (2006),
and aaron betsky (2008).

under the theme 'people meet in architecture', 54 countries are participating in the 12th international
architecture exhibition, from august 29 to november 21, 2010.

traditionally, the architecture biennale opening date has been mid september; an earlier
date should allow many more people to attend the event at the giardini and at the arsenale
(and in various other venues in venice).

explaining her concept for the event, sejima said : 'the idea is to help people relate
to architecture, help architecture relate to people and help people relate to themselves.
there will be independent spaces for each architect or each theme, which means that
the participants will be their own curators. In this way contributors will design their
own space and make presentations that consider the experience of the visitor both
physically and conceptually. It will be a series of spaces rather than a series of objects.'

also, there will be greater involvement of the universities and a new
feature: 'the architecture saturdays'. it consist in a series of conversations, performances
and weekly discussions with architects, critics and personalities from the world of italian
and international architecture throughout the entire period of the exhibition. every saturday
there will be a meeting led, in addition to the director kazuyo sejima, by every director
of the former editions of the exhibition: vittorio gregotti (1975, 1976, 1978),
paolo portoghesi (1980, 1982, 1992), francesco dal co (1988, 1991), hans hollein (1996),
massimiliano fuksas (2000), deyan sudjic (2002), kurt w. forster (2004), richard burdett (2006),
and aaron betsky (2008).



SANAA duo ryue nishizawa (left) and kazuyo sejima by yoshiaki miur

'the buildings, the atmosphere they create and the way they are designed may be a central
point of departure for the next venice architecture biennale.(...)

now that we are in the twenty-first century, we can take this opportunity to step back
and assess the spirit of our current times through this international exhibition of architecture,
exploring the essence of contemporary architecture and the importance of new relationships
when we enter the future.

a significant point of departure could be the concept of boundaries and the adaptation of space.(...)
it could be argued that contemporary architecture is an afterthought and perhaps and easing
of borders themselves.' - KS