christopher payne - asylum : inside the closed world of state mental hospitals

american architect and photographer christopher paine
is documenting abandoned space within a functioning institution.
asylum: inside the closed world of state mental hospitals' is a collection
of large-format photographs of seventy institutions in thirty US states, s
hot between 2002 and 2008. massive state-funded mental hospitals, built to
warehouse the mentally ill, were a feature of the american landscape for centuries.
emptied out in the 1970s and 80s, they now sit abandoned, keeping their secrets.
since many of these places no longer exist, his photographs serve as their final,
'official' record.
the book asylum: inside the closed world of state mental hospitals'
is published by MIT
format: 11 3/4 x 10 1/4, 216 pp.
features: 111 color photographs, 69 duotone photographs, 61 illustrations, hardcover
ISBN-10: 0-262-01349-5
ISBN-13: 978-0-262-01349-9
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'autopsy theatre', st.elizabeths SH, washington DC, USA
exteriors designed by famous architects and interiors never intended to be seen again.
payne shows how the hospitals functioned as self-contained communities, where
almost everything of necessity was produced on site: food, water, power, and even
clothing and furniture.

'bathtub', fairfield hills state hospital, connecticut, USA

'bathtubes', oregon state hospital, oregon, USA

'patient toothbrushes', hudson river state hospital, poughkeepsie, NY, USA
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Now we have millions of people, young and old, even fetal who have been place on psychoactive drugs. There was a time when few were on these drugs but on any given day 20-30 per cent of the people I see are on these drugs. No one counsels them they just write prescriptions for drugs to numb one to what bothers them. Perhaps someday soon we will see not vacant institutions but vacant eyes..
This is szasz.com
"Perhaps most radically ... Thomas Szasz deemed mental illness a mythic and monstrous beast,
and proclaimed that 'mental illness' was a fiction. Insanity, he has continued ever since
to claim, is not a real disease, whose nature has been progressively scientifically unveiled;
mental illness is rather a myth, forged by psychiatrists for their own greater glory.
Over the centuries, medical men and their supporters have been involved, argues Szasz,
in a self-serving 'manufacture of madness.' In this, he indicts both the pretensions of
organic psychiatry and the psychodynamic followers of Freud, whose notion of the
'unconscious' in effect breathed new life into the obsolete metaphysical Cartesian dualism.
For Szasz, any expectation of finding the etiology of mental illness in body or mind --
above all in some mental underworld -- must be a lost cause, a dead-end, a linguistic error,
and even an exercise in bad faith. 'Mental illness' or the 'unconscious' are not realities
but at best metaphors. In promoting such ideas, psychiatrists have either been involved in
improper cognitive imperialism or have rather naively pictorialized the psyche -- reifying
the fictive substance behind the substantive. Properly speaking, contends Szasz, insanity
is not a disease with origins to be excavated, but a behavior with meanings to be decoded.
Social existence is a rule-governed game-playing ritual in which the mad person bends the
rules and exploits the loopholes. Since the mad person is engaged in social performances
that obey certain expectations so as to defy others, the pertinent questions are not about
the origins, but about the conventions, of insanity. In this light, Szasz dismisses
traditional approaches to the history of madness, as questions mal posés, and aims to
reformulate them." --From: Porter, R., Introduction, in Porter, R. and Wright, D., eds.,The
Confinement of the Insane: International Perspectives, 1800-1965 (Cambridge: Cambridge
University Press, 2003); pp. 1-19; p. 2.
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