david chipperfield + paul cocksedge installations at london design festival 2010
located at the southbank centre, in which an architect or designer explores the dynamic
between materials and manufacturing.
last year, japanese architect shigeru ban's 'paper tower' and australian designer marc newson's 'supercell',
were selected as part of the size + matter project. for 2010, UK-based architect david chipperfield
and designer paul cocksedge have been commissioned to develop installations for size + matter,
to be presented at london design week in september.

'drop' by paul cocksedge
as his contribution, paul cocksedge has conceived 'drop', which looks like an outsized coin
'which has fallen to earth from giant's palm,' that appears lightly buckled upon landing
improbably upright. consisting of a giant brass disc (2.6m high x 3m wide with a 100mm thickness),
'drop' is magnetic and encourages passers-by to participate by affixing their spare pennies
to its surface, facilitating a human connection with an otherworldly object and allowing individuals
to alter the appearance of the installation. 'drop' thus becomes copper-plated through many small acts
of human contribution. at the end of the installation, the public's monetary contributions will be
counted and barnardo's corporate partners will turn every penny into one pound. the ambition is
to emulate the success of the studio's 'kiss' installation in milan last year which raised a large donation
for good causes.
the sculpture is made possible through a collaboration between ARUP and van driel engineering.

up close of the magnetized surface

'the space in between' by david chipperfield
david chipperfield's installation entitled 'the space in between', is a cityscape of nine modular
blocks ranging from 2.8 to 5.8 metres high, covering an area of 175 square metres.
the installation will seamlessly transform from shimmering towers during sunlight hours,
to glowing, jewel-like beacons at night.
for his piece, chipperfield is working with SefarŪ, who manufactures architecture textiles,
and glass producer bischoff glastechink (BGT). within the base of each block, there will be a
hidden light source. as day turns into night, each one will begin to glow and the solidity of
the towers, which is apparent during the day, will fall away, encouraging a new relationship
between the cityscape and its audience. to be situated on the southbank centre square,
it will be overlooked by different elevated walkways as well as street and surrounding plazas.
the total composition oscillates between a large still life and small cityscape, where the space
in between becomes the protagonist in the balancing of mass and space.
paul cocksedge for japan creative
a poetic and graceful wall clock composed of an electroluminescent panel which stands to embrace japan's culture of abundant light and color.
paul cocksedge studio: manuscript (seats of p
visitors can sit to rest or wander amidst huge steel 'pages' of inscribed chinese poetry, in an installation for beijing design week that represents the exchange between chinese and british cultures.
paul cocksedge: sestosenso for BMW x flos
once stepping within one of the hanging red 'sestosenso' lights, a video of the BMW 6 series coupe is revealed on the expansive white wall that wraps around the room. through the light we see the car, and through th...
david chipperfield to curate venice biennale
after much speculation, british architect david chipperfield has just been officially appointed curator of the venice architecture biennale 2012, encouraging participants of next year's event to collaborate, convers...
david chipperfield: hepworth wakefield
ten interconnected trapezoidal blocks compose the overall structure, scaled and orientated in response to the surrounding built environment.
david chipperfield: piana for alessi
the chair is produced in a 100% recyclable polypropylene with fiber glass with a non-slip matte finish utilizing a synchronized opening and closing of the meeting at a single point of rotation.
rachel harding: 3D lace
'3D lace' takes traditional textiles and transforms them into three-dimensional objects. harding laces, tweeds and damasks are extruded to create stalagmite structures.
geoffrey mann: shine and cross-fire wine glas
geoffrey mann is a scottish artist whose fascination with transposing the ephemeral nature of time and motion has created a studio practice that challenges the existing divides between art, craft and design.
tomoko azumi: objective at rocket gallery
this exhibition presents a selection of london-based japanese designer tomoko azumi's furniture spanning from 1995 to 2010. included are models, drawings and watercolor sketches of the various pieces on show.
ramos bassols: ligera for urbes21
estudiosat: artica kitchen
design time breil award ceremony
curved visions digital art competit
GRAPHIC DESIGN - may 17 - july 17
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