'interiors light', 2005


the work of british born, california based designer andrew byrom takes conventions
of typographic structures and transforms them into three dimensions, using  unfamiliar
applications of  materials and processes as a way of forcing himself to find new forms.



'interiors light', 2005

'my work is not, for example, helvetica rendered in neon or steel etc, but instead a reaction
to the limitations of new materials and processes that help form, or more often force,
the outcome of the design. in most cases the materials have presented themselves after
an initial idea has developed, and once a material has been chosen it fundamentally
changes the shape of the letterforms.

often these designs are speculative; yielding no obvious outcome. at times the forms generated
from these three dimensional experiments have found their way back into my more traditional
two dimensional type designs. but on occasion my work has moved across disciplines into
unexpected areas of furniture and product design.' - AB

detail


for byrom's project 'interiors light', the initial concept was derived from marcel breuer’s
wassily chair. it was simply intended to be a rounded chrome tubular steel version of the
original interiors typeface design. the limitations of working in neon where tough on the
original concept. the design was reworked several times and began to embrace the constraints
of this beautiful and delicate material.



detail



'interior', a rounded chrome tubular steel version which was the predeccessor to interior lights.


interiors (3D type) is a collaboration between byrom and type designer joel woolier.
it was originally conceived as a digital font and was 'translated' from an old wooden chair in
byrom's office that, when looked at from a certain angle, resembled the letter h.
using the three-dimensional principles of this simple form, and closely adhering to type design
conventions, 26 letters of the alphabet were drawn and generated as a font.
the characters were then constructed in three dimensions using tubular steel into full-scale
furniture frames. because the underlying design concept is typographical, the end result becomes
almost freestyle furniture design. letters like m, n, o, b and h can be viewed as simple tables and chairs,
but other letters, like e, g, a, s, t, v, x and z, become beautifully abstract pieces of furniture.



'interior light 2D' original typeface



'interior'
a fullscale welded steel furniture frames 

logo proposal for disseny hub barcelona (design museum) done in the original 'interior lights' typeface.



'grab me', 2006


'grab-me' is constructed using the same principles of bathroom hand-rails (or grab-bars)
and its design adheres, almost perfectly, to the breaks found in typographic stencil designs.
grab-me is a full alphabet set made from 1.5 diameter stainless steel tubing with a 180 grit
brushed finish. these finished typographic handrails are intended for use in swimming pools
or bathrooms. they can be used indoors or out, so they can also be used as building signage.




'grab me', 2006



'numbers', 2009


'numbers are low-relief, three dimensional, super-thin, folded aluminum numbers that
are intended for use on houses and offices. they are manufactured in .050 anodized,
weatherproof aluminum. it is available for purchase via the andrew byrom shop.





complete number set



'numbers', 2009



'aluminium house numbers'




andrew byrom
portrait © designboom

designboom met andrew byrom at kuala lumpur design week 2010 where he has
been a presenter.

andrew byrom was born in liverpool, england in 1971. after graduating from the university of
east london in 1996 he opened his own design studio and worked for various clients including
penguin books, the british academy of composers and songwriters, the industrial design centre,
time out online and the guardian newspaper. around this time he also began teaching graphic design
at the university of luton and central saint. martins.
byrom moved to the USA in 2000 to teach at northern illinois university in dekalb.
in 2006 he moved to long beach (with his wife victoria) to take up a professor position at california
state university, where he is currently the area head of the graphic design department.
he has recently been commissioned to design typefaces and type treatments for elle decoration,
the new york times magazine, mcgraw-hill, and turner classic movies.
he divides his time between teaching, designing for various clients and playing with his 3 sons,
auden, louis and julian.