andrew byrom: letter-box-kite + st. julian

'letter-box-kite', 2008
in continuation of our coverage of british born, california based andrew byrom's work
which takes a three-dimensional approach in creating and building letters, here are a
few more projects developed by him. to see our previous article on byrom's design, click here.

byrom and his family tested out his 'letter-box-kites' at seal beach, california, 2008
the experimental 'letter-box-kite' design is a series of 26 typographic kites fabricated
from thin nylon fabric and fiberglass poles.

auden byrom and aubry mintz
flying 'letter-box-kites', seal beach, california, 2008


andrew, victoria and auden byrom
with 'letter-box-kites', seal beach, california, april 2008
standard chartered bank commercial
in 2010, the design was used in a TV commercial for standard chartered
bank, directed
by stefan sagmeister.

'st. julian', 2010
'st.julian' is a 2D/3D black-letter stencil typeface. the wall-mounted 3D version is
constructed from steel. its message comes in-and-out of recognition as the viewer
moves past. this typographic project took its creative cue from byrom's youngest son
and is also named after him.

wall-mounted, 0.25'' steel

detail

'st. julian' poster

'st. julian' typeface (full set)

'byrom TSS', 2007
temporary signage system (open)
'byrom TSS' is a ‘pop-up’ temporary signage system. each letter is fabricated from
waterproof nylon wrapped around a fiberglass pole frame (similar to the construction
of a modern dome tent). an elastic cord running inside the hollow poles allows the design
to collapse into a small bag for storage. the design is intended for use in shops, galleries,
conferences.

temporary signage system (MDF)

pops up from small bag using the
same principle as a modern dome
tent

early TSS prototype

temporary signage system (full
set)

finally, 'venetian' is an experimental design derived by the forms created when opening
and closing a venetian blind.

byrom's 'venetian' typeface translated into three
dimensional blinds

'style'

'venetian' typeface (full set)

applications of 'venetian' typeface (closed, regular, open)


portrait of auden, andrew and louis in the
office, long beach, july 2008
designboom met andrew byrom at kuala
lumpur
design week 2010 where he has been
a presenter discussing the subject
of modern typography design, ways of using it, as well
as how to
implement each kind of type into printing form.
andrew byrom: grab me + interior lights
the work of andrew byrom deals with three-dimensional typography whereby he uses unfamiliar applications of materials and processes as a way of forcing himself to find new forms.
haroshi: skateboard art
haroshi filters through thousands of old decks and individually picks out the perfect board to use. after they are stacked, cut and shaved to form, they are painted and polished to a candy-like finish.
hideki inaba at kuala lumpur design week 2010
the delicate quality of his work cannot be achieved unless the combination of ink, printer and even paper quality is just right.
andrew byrom: if h is a chair
if we allow ourselves to view, and practice, one art form through the lens of another-and truly embrace the associated constraints and processes-can we open up new and undefined directions for exploration? -andrew byrom
andrew byrom: grab me + interior lights
the work of andrew byrom deals with three-dimensional typography whereby he uses unfamiliar applications of materials and processes as a way of forcing himself to find new forms.
experimental type by andrew byrom
british born, california based graphic designer andrew byrom has designed a number of experimental typefaces made with things from chairs to venetian blinds and band-aids.
nicole dextras: ice typography
embracing the cold climate of her native canada, the graphic designer has developed a series of installations comprised of larger than life texts spelled out in block letters made from ice.
skyrill design: fluid type font
the dynamic typeface was created using 3D max and realflow to simulate the forming and destruction of each letter via splashing, exploding fluids.
cloud collective: towards a poetic morphology
the temporary installation creates an landscape indoors, composed of sculptured alphabet letters that together form the text of robert walser's poem 'oppressive light'.
kastiel: uganda glass cabinet
taking form from old world voyage boxes, this glass cabinet maintains the shape and sense of personal storage with modern objec...
arhimetrics: rosa shop
RENAULT 4 ever behind-the-scenes
'horsey' by eungi kim
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