richard hutten: zuiderzee chair

'zuiderzee chair' by richard hutten, commissioned for the zuiderzee museum and produced by NgispeN
'zuiderzee chair' was created by dutch designer richard hutten for the zuiderzee museum in the netherlands
and featured on exhibition with dutch furniture company NgispeN during milan design week 2011.
'zuiderzee' is based on a traditional dutch chair composed of wood and woven sticks or straw.
in hutten's interpretation, smooth beech wood, subtle curves, and a slimmer profile offer the piece a contemporary aesthetic,
whose basic form nonetheless references its historical origins. not merely ornamental, however, the design details are responsible
for a considerable decrease in weight and significantly increased comfort of the chair over its predecessor.

front view

side view

three-quarters view

detail view

richard hutten
portrait © designboom
the piece is a focal point of 'chairisma', on now through september 9th, 2011 at the zuiderzee museuem,
an exhibition which displays historical chairs that have been significant in hutten's design process
and pays particular attention to the development of 'zuiderzee'.
hutten reflects:
‘one of the most important aspects or features of a product is that it is functional. but the function of a design is the starting point
and may never be the goal. sitting comfortably is not the only thing. it’s about what you add as a designer: it might be a story,
technology, choice of material or form. a new product must have a reason.’
'zuiderzee chair' is planned to be produced by NgispeN in natural beech and white.

the chairs on display with NgispeN during milan design week 2011
image © designboom

image © designboom

hutten poses with the traditional chairs off of which he based 'zuiderzee'
this chair is really beautiful, with a subtle, functional, pleasing form... exactly what design should be about, instead of products vying to be the next ostentatious supertrend.
well done, richard hutten.
Nice work.
This chair isn't particularly beautiful. Its actually just about aesthetically neutral. I think the reason some designers convince themselves that 'simple' is an ideal or absolute, is because it makes their own modest aspirations more easily attainable - I don't think they have much confidence in their imagination. Complexity and flourish are much harder to achieve than simplicity and unobtrusiveness.
who determines which form is pleasing?
I don't buy the subtlety and nuance as sufficient explanation. Implicit in that arguement is a kind of intellectual blackmail which tries to suggest that if one finds this chair merely inoffensive or too aesthetically passive, then its because one lacks appreciation.
I'm a design student and I know what it is I want to achieve, and no-one has a right to make declarations about what design should or shouldn't be.
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