slow hand design: thai products

'slow hand design' exhibition view
image © designboom
southeast asia continues to step up its presence on the international
design scene and thailand is seeking to become a point of
reference for
top-quality production. known for the country's millenary culture
abounding with colour, fragrance, crafts and tradition,
thailand -- in
terms of production -- is as a source of fine raw materials and
excellent crafts.
the department of export promotion (DEP) is making its
debut with a curatorial project at the milan design week 2011.
the exhibition 'slow hand design - the heart value of thai contemporary products' intends to reflect the value of
thai product exports that still retain their ancestral DNA inherited through many generations.

exhibition design by B.U.G. design studio
image © designboom
the modern furniture products that are displayed in this exhibition, trace their roots
via thailand's cultural infusion.
curated by by eggarat wongcharit, a businessman, researcher and designer.
it is his intention to reflect how a warm thai design spirit and tradition is infused into various forms, textures, technologies and expressions.
in close harmony with the local craft tradition, new thai design is a meeting between expert age-old local art and the ingredients of
contemporary design. companies such as deesawat, crafactor, ayodhya and yothaka manifest familiar thai elements in their use of natural
materials. products that have won the DEmark award, the country's most prestigious research and development prize are also on show.
exhibition design by B.U.G. design studio.

'soda chair' by trimode
image © designboom
the exhibition is is a detailed inventory of what is happening today in the thai world of mass production.
the pop-culture scenography perfectly expresses the vibrant kaleidoscope
of typical local features such as food and conviviality,
among other distinctive aesthetics. the exhibition is comprised of 4 sections:
1. the glory suvarnabhumi (southeast asia) and its cultural evolution through trade, religions and beliefs.
2. cultural evolution in relationship with modern thai design.
3. maximalism vs minimalism that explains how the movements of thai
crafts are conformed in the global furniture design business.
4. the future of thai design that reflects the potential of design development.

natural materials are the ingredients of contemporary design
'slow hand design' explains how the evolution of local, small- and medium-sized companies and the combination of modern technology
with superb craftsmanship has given rise to a new production of contemporary high quality design.

'i-kon diamond cut' by stone & steel
image © designboom

a view into the exhibition
image © designboom

traditional thai packaging
image © designboom

various exotic materials with vivid colors and rustic textures are weaved by the hands of villagers from regional thailand
natural materials and craftmanship

flower ornaments and traditional kites
image © designboom

water hyacinth bag
image © designboom

rice in elevated wooden bowls on woven tray
image © designboom

'wave' by deesawat (see also deesawat at TIFF furniture fair 2011 in bangkok)
image © designboom

abalone for planet 2001
image © designboom

reborn for rapee leela
image © designboom

reborn for rapee leela
image © designboom

'grow' by dots design studio
image © designboom

a view into the exhibition
image © designboom

'ma-lee' paper curtain by saran youkongdee design studio
image © designboom

exhibition view
image © designboom

'cell collection' by anon pairot
image © designboom
--
the exhibition 'slow hand design' was supported by: office product value promotion, department of export promotion,
royal thai government of the kingdom of thailand in collaboration with thailand trade office, milan, italy
in conjunction with demark and thailand's brand.
exhibition curator: eggarat wongcharit
exhibition design: B.U.G. design studio
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