richard woods & sebastian wrong: hay bale for established & sons

in the pop art aesthetic that is richard woods' signature, the series of furniture objects are based on the iconic image of the 'red brick'.

occupying the four corners of the V&A's entrance dome, the bench press public seating installation is a series of three tier benches reclaimed from the american tulipwood boards used for the established & sons show ...

woods’ faux renovation includes cladding the security booths in a printed facade of cartoon-like red bricks

the lighting installation, features a mass of 'buggs lights' - the limited edition lights suspended from within a built tunnel, with viewing windows, spanning the gallery space inside the established & sons limited.

the irony of the 'bricks & mortar' design lies in the extreme comfort of the chair in comparison to the perceived hardness of the print.

a storage cabinet which creates visual worlds, turning a static object into a dynamic one, generating a new, contemporary form of beauty based on contrasts: tall/short, precious/rough, architecture/nature.

these designs developed exclusively for nilafur gallery show the habitat itself as a different planet, as a science-fictional landscape...

using a lightweight mesh for its shade, this lamp's simple materials and resulting structure creates a straightforward lighting solution.