OMA / AMO: prada men's SS 2012 runway

OMA / AMO: prada men's SS 2012 runway


'field' for the men's spring/summer 2012 collection by OMA / AMO at the prada fondazione, milan
© OMA; image by agostino osio



italian fashion house, prada's men's spring/summer 2012 collection presentation transpired within a runway framework designed
by OMA/AMO. an ordered grid of 600 blue foam blocks arranged in a 1.5m by 1.5m grid permeated
the prada fashion show space in milan. the blocks intended for audience seating also doubled as edges for the varied catwalk paths,
inevitably integrating individuals into the show. models filtered between the seats in highly choreographed catwalk patterns,
turning along the grid in divergent directions.



catwalks integrated into audience seating
© OMA; image by agostino osio


the rhythmic rows of seating situated within the confines of the vast historic building creates an unexpectedly sculptural effect.
artificial grass contrasts against the blue blocks, evoking imagery of an outdoor picnic. the building's rustic and monochromatic
concrete walls amplify the saturation of the colorful installation. sixteen parabolic aluminized reflector light panels located around
the perimeter of the grid provide lighting for the runway.



audience seating and camera platforms
© OMA; image by agostino osio



perimeter and light panels
© OMA; image by agostino osio



entrance
© OMA; image by agostino osio



entrance to event space
© OMA; image by agostino osio



runway meandering through the audience
© OMA; image by agostino osio




finale
image courtesy of prada



runway finale
image courtesy of prada




video footage of the runway show

lauren db
06.24.11  
14
oh no, it's oma and their blue foam chic boxes again...enough with that, already! what a lazy approach based on their ever-recycled architectural cliches disguised as a luxury brand catwalk. it's not even sarcastic anymore, just plain boring and repetitive. .
petra   06.24.11
to petra:

please don't embarrass yourself, don't talk about something you just don't understand...
intenrautas   06.24.11
@intenrautas: why so defensive? can't a person have an opinion?

quite seriously, since you "understand" this, please do share your wisdom about all the deep and complicated aspects that you see in this project and the rest of us fail to recognize?

blue foam, boxes, grid...one does not need an epiphany nor do they need to be an architectural genious to recognize a generic project based on a tired idea when they see one. unless they have been completely oblivious regarding architecture over the last couple of decades or so and have just woken up to oma's work.
gio   06.25.11
I believe here what breaks the box is that more people have the first row experience.
void   06.25.11
i like it, minimalism plus cool color, and the foam thing can be cute
randomadver   06.25.11
Very simple show stage but audience's colours disturbs Prada's new collection. It is only news value with a lack of sensitivity. In a way, it is very OMA.
mm   06.25.11
to quote giorgio armani:

"baracconate"
g   06.25.11
just to try and clear things up, the boxes appear to be a special super high density styrofoam that is often used my architecture firms in models, it makes good sense that OMA would use them, I don't doubt that they have enough left over to build their buildings out of it.
t   06.25.11
broken kilometer.
osmosis8   06.25.11
Did they want to seperate the audience so they couldn't comment to each other during the show??

Talk about fascist.

Everyone looks uncomfortable.

I kind of get a sporty theme with the astroturf and stadium lighting, but the clothes dont respond to this.

PS: That blue foam is extremely unsustainable!
Becker   06.26.11
Wow. This absolutely amazing. I have unfortunately not so much knowledge about OMA's previous usage of the blue foam boxes, but to see this radical approach to a catwalk made me breathless, once, as every time I see a new OMA project I was "Wow, Rem has done it again!". void's comment also made me realize one of the further genial aspects of this fantastic project, simple, and brilliant. Fragmenting the audience into the grid is one of those extremely simple gestures that improve the spatial experience and question our traditional perspective of how an audience should be. I simply love it, and I hope that no one but OMA had thought of it before, otherwise it's an epic fail.
José   06.26.11
we miss the the brief by OMA in this post:
The audience is organized in a perfect field. 600 visitors sit on individual blue foam blocks distributed over a 1.5 x 1.5 meter grid spread through the entire hall. Models flow through the highly-organized audience, following multiple choreographed routes that allow maximum visibility.


The field is a commentary on the audience, transformed from indeterminate crowd to regimented, possibly anxious, isolated individuals. Each guest becomes a challenge for the new fashion; each confrontation becomes highly personal…

The field is based on a zero degree approach: a spatial system as opposed to an elaborated design...

Artificial grass covers the floor. Light is provided by 16 panels of 30 PAR lights each, vaguely resembling stadium lighting systems.

The set up refers to the imagery of a geometric outdoors; the audience participates in a perfectly organized picnic…
marcos   06.26.11
don't know anything about fashion,
But to me it looks really awesome, with the colours, grid and building. Also the music is great!
montani   06.28.11
Wow!!! ... a graveyard! ...
The living wear Prada, the dead - just watching.
If this was the point, the clothes would perfectly fit in.
Well, the ghosts don't feel pain in their backs or necks. Lucky bastirds :)
noes'   06.29.11

OMA: taipei performing arts center

architecture | 02.17.12

the center is composed of three main volumes which plug into a central cube. this layout consolidates the supporting backstage spaces and mechanical facilities of each auditorium into a single, efficient mass, whil...

9

OMA presentation of shenzhen stock exchange

architecture | 01.09.12

differentiating itself from the history of modern towers, the shenzhen stock exchange elevates the base of the structure creating a multiple planer zone of interaction and depth within the city.

5

OMA: shenzhen stock exchange nearing completi

architecture | 12.15.11

while in the rapidly growing city of shenzhen, china, designboom toured the construction site of this financial center, getting a first hand glimpse inside the elevated podium which cantilevers 36 meters from the tower.

4

zündel cristea: mixed-use buil

READER'S SUBMISSION winner of the 2012 mipim award for best residential project in paris, france, for a mixed-use building in the urban development zo...

j.meier: complex structure

READER'S SUBMISSION a table which uses the marks of gymnasium floors to capture our cognitive perception and question our attention to complexity.
video

ai weiwei directs ordos 100 do

architecture

100 architects from 27 countries were selected to participate in the ordos 100, whereby each team was asked to design a 1000-sq...

ai weiwei at magasin 3 stockho

art

ai weiwei's first solo exhibition in sweden, the installation includes several monumental politically-driven sculptural works e...

BREIL new times

DESIGNBOOM COMPETITIONS the watch offers a new method for telling time whereby the command hands indicat

nils kajander: BREIL paparazzo

DESIGNBOOM COMPETITIONS shortlisted in designboom's international design time BREIL competition, the wat
video

SELFPROMO - january 17 - march 17

DESIGN - AEROBICS how to present yourself in a creative world. different approaches to make sure your work is brought to the attention of the people that 'matter'...

POP UP - january 17 - march 17

DESIGN - AEROBICS don’t blink or you’ll miss it! in this course we’ll look at temporary structures, from living quarters and exhibition stands to container stores...
designboom news
341,291 subscribers

keep up to date with recent articles and upcoming events.
to receive both newsletters please check 2 boxes.

DAILY - see sample BIWEEKLY -see sample
© copyrights 2000 - 2012 designboom, all rights reserved. all material published remains the exclusive copyright of designboom.
no contents, including text, photographs, videos, etc. may be reproduced in whole or in part without the written consent of designboom. in addition,
no material or contents may be reproduced on the world wide web by techniques of mirroring, framing, posting, etc. without the written consent of designboom.