designboom book report: identify by chermayeff & geismar

designboom book report: identify by chermayeff & geismar



title: identify (basic principles of identity design in the iconic trademarks of chermayeff & geismar)
authors: ivan chermayeff, tom geismar and sagi haviv
publisher: print publishing
language: english
year: 2011 (released october 31)
size: 11 x 8.5", 250 pages
ISBN: 13 978-1-4403-1032-4

print publishing

________________________________________________________________________________________

designboom rating:
________________________________________________________________________________________

this month print will release its first book under the newly established print publications line.
'identify: basic principles of identity design in the iconic trademarks of chermayeff & geismar'

looks back at the last half century of work by the new york studio, chermayeff & geismar.

NBC (national broadcasting company) identity, 1986

content

'identify' starts with a preface by isaac mizrahi and a foreword by steven heller, who both explain
why the work of chermayeff & geismar has transcended periodical styles and has had such a
significant impact on the field of communication design.

this is followed by a succinct yet revealing introduction from the authors that details how the studio
tackles identity projects and describes their collaborative design process from receiving a brief
through to arriving at the final design.

'identity design is not about what one likes or dislikes. it’s about what works.'

chermayeff & geismar, ('indentify' introduction)

after these texts the reader is left to browse a significant compilation of work
from the studio's fifty-five year history.  some projects are self explanatory and covered with
just one or two images, others are featured in more detail including aspects of the design brief,
along with anecdotes about the clients and how the logo was received by the public.

we particularly enjoyed the instances when examples of the logos chermayeff & geismar were
asked to redesign are provided. and it's also interesting to see preliminary sketches or alternate
versions of iconic designs shown alongside the well known final outcomes, such as with the NBC logo.


a few early sketches for the NBC peacock design


NBC (national broadcasting company) identity, 1986




early design sketches for the univision symbol


logo for spanish-language television giant univision, 1991
'the univision symbol combines the notion of a capital letter U and a colorful bird'


is it for me?
in a time where many designers work across several platforms and genres the book highlights the
value of specializing and excelling within a single field.

after surveying the 100 or so projects in the book it's clear that a lot of hard work and revision
goes into the simple iconic marks that the studio is famous for creating, often achieving
just the right balance of expression and representation. the book will certainly motivate anyone
who appreciates how hard identity design can be.

combined with the many examples of idea-based solutions the the two and a half page
introduction, 'indentify' will provide younger readers with plenty of valuable no-nonsense advice;

'while the world has changed, our basic approach to trademark design has not.
in identify, we demonstrate our problem-solving approach to identity design.
while it is an essentially creative process, we do not follow any personal artistic agenda or style.
instead, we work in the service of clients and address the challenges and parameters they bring
to us in their search for a visual identity. we call these parameters 'the design problem.''

chermayeff & geismar, ('indentify' introduction)

for the experienced designer the book serves as a valuable resource,
even if you're familiar with 90% of the work featured it's nice to have it all in one place
in what is a well produced book.


identity for the 'the solow building' at 9 west 57th street, new york, 1979


shinsegae identity, 1999 (korean department store)


graphics for the 1970 white house conference on children


american revolution bicentennial identity, 1976

over many years, as part of an extensive public-affairs effort, mobil sponsored numerous cultural events and television shows.
chermayeff and geismar created posters for a great many of these. the churchill poster is one example of the hundreds shown
in the book 'posters made possible by a grant from mobil. the cover we designed, shown on the facing page, features the corners
of stacked posters from the book.




left to right: ivan chermayeff, tom geismar, sagi haviv


_________________________________________________________________________________________

designboom ratings:

......................... interesting
................... good read, worth a look
............. very good
....... excellent, recommended
. must have
_________________________________________________________________________________________



andy db
10.28.11  
0

interview with ben casey of the chase

design | 05.15.12

'technology has not only transformed how we work, it's also offered new media channels and we're now having to re-establish the boundaries we should work within.' - the chase

0

JAY Z: brooklyn nets identity

design | 05.01.12

yesterday the brooklyn nets unveiled their new identity designed by JAY Z (part owner of the team).

8

oded ezer and H.I.T. students: hebrew logos

design | 04.18.12

oded ezer asked students on his visual communications course at H.I.T. (holon institute of technology) to design hebrew versions of logos that already exist in latin/arabic/japanese.

0

chermayeff & geismar: new blip identity

design | 01.11.12

chermayeff & geismar have designed a new identity for the original web series network blip.

0

tom geismar interview

design | 02.22.10

tom geismar is a founding partner of chermayeff & geismar and widely considered a pioneer of american graphic design. designboom recently spoke to tom about his work and the art of logo design.

2

ivan chermayeff interview

interviews | 05.18.07

designboom: what is the best moment of the day? it varies, it's never the same. usually it's when something good happens, like a cheque arriving in the mail!

0

ccdstudio: new center for childhood

READER'S SUBMISSION

this project is the result of two municipal programs coming together to create a new structure and urban identity for the commu...

alejandro delgado: amparo

READER'S SUBMISSION a handcrafted light object made of recycled cardboard that is modeled after the representative rituals of the colombia pacific region.

tom sachs: space program - mar

art

designboom has visited the american artist's most recent space odyssey installation exploring NASA's mars missions at the armor...

nendo: still & sparkling f

design

the collection of delicate pieces rejects traditional glassblowing techniques, embracing instead the irregularities typically c...

design time breil award ceremony

DESIGNBOOM COMPETITIONS the designs explore a variety of topics from comic memorabilia to pop culture. s

curved visions digital art competit

DESIGNBOOM COMPETITIONS designboom in collaboration with INFINITI is excited to announce the CURVED VISI

GRAPHIC DESIGN - may 17 - july 17

DESIGN - AEROBICS make graphic design work for you. with this course you’ll enhance your understanding of the basics and learn more about emerging developments within the field.

SHOPPING - may 17 - july 17

DESIGN - AEROBICS we'll look at the seamless way in which design and consumer culture cross paths, with a focus on; shop design, packaging, carts, carriers, online shopping and markets.
designboom news
348,805 subscribers

keep up to date with recent articles and upcoming events.
to receive both newsletters please check 2 boxes.

DAILY - see sample BIWEEKLY -see sample
© copyrights 2000 - 2012 designboom, all rights reserved. all material published remains the exclusive copyright of designboom.
no contents, including text, photographs, videos, etc. may be reproduced in whole or in part without the written consent of designboom. in addition,
no material or contents may be reproduced on the world wide web by techniques of mirroring, framing, posting, etc. without the written consent of designboom.