nacho carbonell studio visit

an artist at work in the new studio of spanish-born designer nacho carbonello, located
in a creative former industrial zone of eindhoven, the
netherlands
image © designboom
on a recent trip to eindhoven, designboom visited the new studio of spanish-born, netherlands-based designer nacho carbonell.
known for his tactile sculptures and installations-- which are often called 'fairytale-like' and almost always the result of an
artistic exploration of natural materials and experimental techniques-- carbonell and his small team of artists and designers
now work in a large open warehouse space in eindhoven, the netherlands.

exterior of the building housing the studio, in eindhoven's 'sectie C'
image © designboom
the move came after three years working inside of a 20th century church, shared with dutch design collective atelierdorp.
both studios moved temporarily to an office building in central eindhoven before limitations on the machinery
and modifications permissible led nacho to seek workshop space.
the new studio is located in sectie c, a burgeoning former industrial zone to the east of city center.
each morning the team begins at 9:00am by preparing breakfast together. work continues until 2:00pm,
when everyone sits down to a warm meal for lunch, before returning to work through 7:00pm.
a current artist hand at the studio notes however that 'if there is a deadline then [we] keep working,
have dinner together, as long as everybody still feels full with energy. you are free to go home [after office hours]
but normally everybody likes to work until late when we have the pressure of an exhibition.'

view from the entrance passageway looking out onto the studio
image © designboom

view looking from the far wall of the studio towards the front passageway (behind the white screen)
image © designboom

welder at work
image © designboom
the team at the studio is composed of a mix of individuals coming from art, fashion, and design schools,
with about three fixed team members and five or six interns at any given time.
nacho carbonell is always working on multiple projects, and the artists and designers end up 'learning a bit of everything'
during the development of a project. while nacho works alone on the original concept for a project, it is relatively early
in the production process that he explains the idea to the rest of the team. everyone is involved in working on material examples,
open to the changes and shaping that result from experimentation.
nacho's works are recognizable for their materiality in addition to their form, and the studio obtains most of its raw materials
locally in eindhoven and amsterdam, occasionally ordering special materials as needed from abroad.

a few partioned sections create a working room (left), kitchen (right), materials experimentation area, and dining room
image © designboom

view looking into an additional workshop space
image © designboom

bending and crimping wire
image © designboom

a finished model
image © designboom

lamps and material studies
image © designboom

closer view of the material studies
image © designboom
'I like to see objects as living organisms, imagining them coming alive and being able to surprise you
with their behaviour. I want to create objects with my hands, then I can give them my personality.
I turn them into communicative objects that can arouse one’s sensations and imagination. in short,
what I want to create are objects with a fictional or fantasy element, that allow you to escape everyday life.'
- nacho carbonell

view of the dining table through the closed door connecting it to the workshop space
image © designboom

the daily cooking schedule is posted on the kitchen door
image © designboom

nacho carbonell
portrait © designboom

leaving the studio
image © designboom
We are doing serious work here and it takes a
warehouse.
best
Andrea
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nacho carbonell: nest project
the installation exposes the artist's highly organic design process, composed of a survey of his works from raw material experimentation through finished sculptures.
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the outdoor installation consists of five pieces that investigate the undefined connections between our senses and surrounding environment.
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in producing the set of 15 lights, nacho carbonell has combined synthetic elements (epoxy resin) and technological compenents (LEDs), resulting in a body of bioluminescent creatures primitive in appearance.
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