fabio novembre: happy pills vases for venini

the vase is a representation of two deeply rooted venetian traditions - that of masks and glass blowing.

each of the chairs are made from an aluminium structure that has been covered with a woven plastic shell.

the linear volume of the exhibition space houses numerous domed pavilions resulting in an indoor nomadic village of sorts with interpenetrating areas which speak to the sense of humanity expressed through the images...

the collection of delicate pieces rejects traditional glassblowing techniques, embracing instead the irregularities typically considered defects within the craft.

a graphic interpretation of bobbins -- a large pin used in the process of making lace -- is the idea behind the spindles on the lounger and armchair design. 

a porous and partially permeable wall conveys the flexibility of marble and the possibilities of its use, as light and shadow change the visual weight of the heavy material.