milan design week 2008 preview: karim rashid

as part of the milan design week 2008, gallery edizioni paola colombari will present karim rashid's new
'blobulous chairs'.

the installation will be composed of six different colored fiberglass blob chairs
(blue-pink, chrome-orange, chrome-pink, pink, lime-black, pink-black.)


as part of the show rashid will also present his 'elliptik' lighting installation - a limited edition of 2 lights made from
a fiberglass shell and translucent acrylic sheets finished with automotive paint in electric blue and baby pink.

see the designboom interview with karim rashid (2002)
do you think he knows how irrelevant he is?
1. Is the chair comfortable?
2. Does it provide a mental distraction, humor?
3. Has he lost it [pictured]?
MaRCo
see also Ross Lovegrove, Studio Job, Ron Arad..who else?
and where?
yay for Karim.
if freedom were a form it would be a never-ending undulating boundless biomorphic shape [sh*t] that is in perpetual
motion. form follows fluid. in a post-industrial house our conditions [sh*t] will be more relaxed, softer and blobular,
where our experiences [sh*t] will be more hypertextual and less linear. the blobchair [sh*t] speaks to the new casualism
that is feeding our ever changing and shifting global lifestyles. blob architecture may shape our environments [sh*t];
organic systems will change our paradigms [sh*t], and organomics may shape the objects [sh*t] with touch everyday...'
KR
Well I like Rashid's designs. I like something that has courage, form, and at least looks like it was the product of an active imagination. I think there's far too much disingenuous admiration and reverence for the kind of anally 'understated' nonsense turned out by charlatans like Jasper Morrison.
The trouble with the Morrison philosophy is that it tries to dress an absence of creativity as a commitment to minimalism. I believe Morrison’s obsession with function and his preference for excessive understatement conveniently plays to the limitations of his imagination, rather than the supposed virtue of a determination to fanatically refine to the bone.
No wonder he and Fukasawa chose to camouflage the bland paucity of their designs among everyday objects like corkscrews and egg boxes in the Super Normal exhibition.
Life is hard and joyless enough without developing a ‘size zero’ paranoia about anything that nourishes and delights the eyes.
i would say that this is defenetly not one of the best design works that karim can do :)
...just some lack of inspiration and not such a fine day in his paradise...the chair..is the reflection of it :)
The problem with fans of form monkeys like Rashid and Captain Birdseye Lovegroove et al is they rarely talk about anything other than what an object looks like or, unbelievably, how expensive it is. I'm referring to a dealer of Hadid's latest mild aluminum table that was milled from a solid block instead of being more efficiently cast. Apparently using a wasteful and extremely expensive technique "was the whole point". The only use of this type of design is to sell it to rich idiots who will hope to simultaneously screw their secretary's and snort cocaine off of it.
karim rashid for b-line
karim rashid's new pieces for the collection include the 'snoop' stool / storage solution, 'woopy' small armchair and 'woopy' stool.
karim rashid: skylight shades for velux
the eight-piece collection of skylight shades was designed for velux by karim rashid. an open online competition this month will determine by popular vote the names of the designs.
karim rashid: space time for zero
this is a preview of karim rashid's 'space time' lamp that will be presented at the 2011 stockholm furniture fair.
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