enzo mari and gabriele pezzini

'box' by enzo mari
image © designboom
enzo mari and gabriele pezzini : che fare
galerie alain gutharc, paris
from january 9th to february 20th, 2010
'che fare' is an exhibition that bypasses the clichés of the production routine
of objects
and wishes to stimulate a critical discussion on the situation of industrial design today
and in general.

'box' and 'frate' by enzo mari, a view into the exhibition
image © designboom
the small exhibit stems from the idea of comparing the work of two authors who agree
upon several aspects of their working practices in spite of having been formed in
very different periods of time.

'box' by enzo mari, produced by castelli, 1971
image © designboom
... two designers who have been formed in very different periods of time.
what they seek is a perfect balance between constraints of marketing, production
and manufacturer's culture, in an attempt to evolve a form that is efficient and durable -
a standard that survives passing fads and decorative caprices to impose a reference.

'frate' by enzo mari, produced by driade, 1973
image © designboom

detail of 'frate' by enzo mari
image © designboom

detail of 'frate' by enzo mari
image © designboom
'che fare' (what to do) - a question without a question mark.
'does this emptiness refer to my person only?
what are the other million 'designers' - most of them young designers - doing?
I guess that all of them want a non-alienated job and I know the majority doesn't find one.
some designers dream of a possible transformation, ...
generally, a product comes to life in the dialogue between a designer and an entrepreneur.
the designer is responsible for the 'shape', entrepreneurs are responsible for the
economic aspects of the product's realization, and also of how to impose it
on a fiercely competitive market.
from my own experience I realized that a good product can be created when a practical
and efficient entrepreneur embraces at least 20% of the designer's utopia!
this happens very rarely.'
enzo mari

'delta' and 'sof sof' by enzo mari
image © designboom

'sof sof' by enzo mari, produced by driade, 1971
image © designboom

detail of 'sof sof' by enzo mari
image © designboom

detail of 'sof sof' by enzo mari
image © designboom

'16 animals' by enzo mari, produced by danese, 1957
image © designboom

'putrella' by enzo mari, produced by danese, 1958
image © designboom

'pago pago' by enzo mari, produced by danese, 1968
image © designboom

detail of 'pago pago' by enzo mari

'pago pago' by enzo mari
image © designboom
--

detail of 'dancer' by gabriele pezzini
image © designboom

'dancer' by gabriele pezzini, produced by maxdesign, 2004
image © designboom

detail of 'dancer' by gabriele pezzini
image © designboom

'clarté' by gabriele pezzini, produced by oluce, 2008
image © designboom

'clarté' by gabriele pezzini
image © designboom

'moving' seat by gabriele pezzini, produced by maxdesign, 2003
image © designboom

'moving' by gabriele pezzini
image © designboom

'wired chair' by gabriele pezzini, produced by nice company and maxdesign, 2003
image © designboom

detail of 'wired chair' by gabriele pezzini
image © designboom

'match radio' and 'crystal' by gabriele pezzini, produced by maxdesign, 2004
image © designboom

detail of 'crystal' by gabriele pezzini
image © designboom

'match radio' by gabriele pezzini, produced by area plus, 2001
image © designboom

'match radio' by gabriele pezzini
image © designboom

gabriele pezzini
image © designboom

entrance of the exhibition
image © designboom
gabriele pezzini: couteaux-orfevre for puifor
made with the collaboration of michelin-starred chef pierre gagnaire, this set of kitchen knives is marked by a distinctive cross on the handles created from contrasting materials of steel and rosewood.
gabriele pezzini: orion suitcase
an ergonomic travelling companion with a brushed anodized aluminum shell, and an interior surface which has been reinforced with carbon and kevlar.
enzo mari and gabriele pezzini : che fare
'che fare' is an exhibition that bypasses the clichés of the production routine of objects and wishes to stimulate a critical discussion on the situation of industrial design today and in general.
shane schneck: ru chair
unlike conventional chairs, 'ru' is designed without the two front legs allowing for convenient stacking on tables.
lee west: nomu
the 'nomu' tea set is a homage to japanese craft combined with compact design.
enzo mari book : 25 modi per piantare un chio
'designing is an instinct inherent in man,' says enzo mari, 'as the survival instinct, hunger, sex. ' designboom covers the public talk and book signing of enzo mari's new '25 modi per piantare un chiodo' book.
vodun at fondation cartier - part 2
the practice of vodun has always been confined to an intellectual elite. its objects or fetishes can only act once they have been rendered sacred. they are the material signs of divine affirmation and their longevit...
enzo mari: vodun at fondation cartier - part
an exceptional group of vodun (african voodoo) sculptures from the collection anne and jacques kerchache are on show at the fondation cartier in paris, in a scenography conceived by enzo mari. the show brings togeth...
former police station by NRJA
the project transforms a former police station of industrial brick into a modern apartment building through the addition of a c...
sticks by gerard de hoop
the cabinet system takes its form from that of a picket sign-- each box of various widths and heights rests upon only one leg.&...
RENAULT 4 ever behind-the-scenes
'horsey' by eungi kim
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