tokujin yoshioka: 'memory' for moroso

tokujin yoshioka: 'memory' for moroso

japanese designer tokujin yoshioka has designed 'memory' chair for italian company moroso,
which will be presented during milan design week 2010.


'memory' chair sequence

'memory' is a chair of unlimited forms. its design is completed through the alteration
of its silhouette. for the project, yoshioka developed a special fabric made with recycled aluminum,
which he has used to create a chair that transforms and memorizes its shape upon use.

'based on a concept which I conceived several years ago, we spent more than one year
conducting experiments and verifications by making more than 50 actual scale models with aluminum.
also for the fabric, I searched the most appropriate fabric that can realize the initial concept image,
and I finally came to develop a fabric with recycled aluminum. after repetition of trial and error,
'memory', a chair that transforms and memorizes its shape by the intention of users, was completed.
'memory' has 'a deliberate loose form'.(...) I believe that the chair could be called 'a chair without a
design.' at the same time, this is a chair that has an unlimited variety of forms.' -
TY


'memory' chair in its beginning state


transformation occurring...


'memory' chair


tokujin yoshioka with the 'memory' chair

process work:

final silver prototype made from fabric of recycled aluminum





detail


black prototype made from fabric of recycled aluminum


detail


'failures' - study models were made from aluminum

tokujin made more than 50 models in order to express the 'deliberate loose form' of the chair.



'failures' - study models were made from aluminum


'failures' - study models were made from aluminum


potential effect of the material - this image is not of the final fabric
andrea db
03.31.10  
7
I've seen and done several projects that follow this type of design philosophy. The designer can't rely entirely on the novelty of the process. The outcome must me as stimulating visually as it is mentally and I think this is lacking in that area.
i.altares   03.31.10
I dont have a problem with the design, but these kind of grandiose statements were fine before the advent of comment-able design blogs...
I guess 'I copied the idea from some mountain-thingys that were installed at MOT museum in Tokyo last year' doesn't have the same allure...
http://www.designboom.com/weblog/cat/10/view/3657/kimihiko-okada-at-the-museum-of-contemporary-art-tokyo.html
eternalcynic   03.31.10
the first image looks like a tombstone and the second reminds me of that damien hirst diamante skull thing - am I losing my mind?
probably...   03.31.10
'TY', 'might' I suggest leaving your mock-humble boots at home for Milan this year
onlyjoking   03.31.10
Looks a lot like my foil wrapped left overs in the fridge. Maybe I can sit on them too??
rewuit   03.31.10
I love how Tokujin has this way of taking seemingly heavy materials and applying them in such a way that makes them appear weightless.

I actually quite like this. It definitely does not follow in the typical aesthetic of 'memory' furniture. Also, futuristic, but at the same time humble in its form.
Franny   04.01.10
The gesture 'why not' the outcome 'predictable', I think we're looking, alongside the designer, for something that isn't there.
Davet   04.01.10

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