studio architektoniczne kwadrat: the museum of the second world war in poland

studio architektoniczne kwadrat: the museum of the second world war in poland


the museum of the second world war in poland by studio architektoniczne kwadrat


studio architektoniczne kwadrat has received first prize in the competition to design
the museum of the second world war in poland. among the jurors was architect daniel liebskind.
the new museum will be located in gdansk, the city where the war broke out.

the jurors stated:
the huge building tactfully merges in the neighbourhood sharing the chance of becoming an icon
of gdańsk with the major historic elements around. the minimalist means of architectural expression
proposed by the authors gracefully blend the modern idea of the building with the historic background.
in its design, the innovative, huge-scale project makes use of the unique air of the city and transforms
it in a modern manner.  the colour and texture proposed in the design smoothly blend with the colours
of gdańsk giving the museum the power to pass the test of the 21.c century.

the design embraces an immense building, which serves varied purposes. dynamic, huge in scale,
the building carries an air of a sculpture created by the visitors.  it rises symbolically from the ground,
led by light, bold, simple placed geometry of the shipyard.  in this design, a rational vision of a public
facility meets the wealth of history.    it rings full sound, telling a story hard to chew for any generation,
the story we must never forget. the attractive body of the building cumulates emotions, portrays the terror
of war  without depriving us of hope. it does not leave its interpreters buried in the gloom of the difficult
topic.

the elegant pavilion, together with the obelisk nearby, squeezes into the ground and strikes the viewer
with light, creating a symbol of catastrophe and the surviving hope. the building will easily imprint itself
on the visitors minds, conveying and being an unforgettable experience, both due to its interior and exterior.
it will become a major feature on the plan of gdańsk, perfectly composed in space.

the well-organised and modern building combines an immense range of functions . it offers huge space
for permanent exhibitions, while remaining open for any displays in the future.  the visitors to and the residents
of the tri-city will love it as an attraction. the designed tower will play a major role in gaining an image of
the entire city, offering a fresh perspective view of gdańsk, which will enhance the museum’s valuable function
of a viewing point.

as a public space, the museum has the potential of a meeting  place for families, tourists, and acquaintances,
of taking in dozens of cars. it incorporates an ingenious concept with functionality.

this exceptionally designed museum of the second world war will become a major attraction. it will grow
to become a timeless symbol inscribed in the hearts of the people of gdańsk, poland, and europe.












ridhika db
09.02.10  
4
i like, but i hope it won on its merits vis-à-vis the rest of the entries, not because it particularly was keening to certain members of the jury (mainly meaning: libeskind)
g   09.02.10
A very appropriate metaphor for war; ugly, brutish and de-humanizing.
jah   09.02.10
Gdansk, a handsome city, certainly deserved a more handsome landmark, and a more brainy design. But it seems those guys won even before the competition was launched : the dice were obviously heavily loaded, since their residential estate project across the street was a burden for all competitors to carry on their minds... Anyway the other entries were mostly shy and awkward, as far as I could see. So, long live this thing. And let the magic of "huge buildings" do the trick, as it probably will. D.T.
PS : And, yes, Mr Liebeskind, we shall try to enjoy one more of the more-or-less-prismatic shapes that you like so much, and which you scatter over the surface of the Earth, over and over, either as an artist or as a starchitecht member of a jury.
Dico Tommy   09.03.10
Regardless of the tastes and leanings of one Mr Libeskind, it has to be said that the design of the II WW Museum must not be dainty, lovely, polite or petty, as its subject was not, to be sure; it is a design brutalist and full of drama, so be it, especially that it is situated next to the upcoming Museum/Centre of the Solidarity Movement, and the hapless shipyard itself, R.I.P. And as to the aforementioned loaded dice, well, its is God who does not play dice, as Einstein once put it...
M.   09.05.10

kastiel: uganda glass cabinet

READER'S SUBMISSION

taking form from old world voyage boxes, this glass cabinet maintains the shape and sense of personal storage with modern objec...

arhimetrics: rosa shop

READER'S SUBMISSION a boutique shop is transformed from a small and dark space into a timeless and intimate fantasy.
video

BIG architects kimball art cen

architecture

the new facility is designed to balance the neutrality of an exhibition space with the distinctiveness of a building in park c...

takashi murakami: ego exhibiti

art

the interactive installation features circus tents, indoor cinemas, paintings, multimedia displays and statues, including a six...

RENAULT 4 ever behind-the-scenes

DESIGNBOOM COMPETITIONS thousands of you entered from across the world; now take an exclusive video look

'horsey' by eungi kim

DESIGNBOOM COMPETITIONS 'horsey' by eungi kim from korea is one of the shortlisted design entries from m
video

SELFPROMO - january 17 - march 17

DESIGN - AEROBICS how to present yourself in a creative world. different approaches to make sure your work is brought to the attention of the people that 'matter'...

POP UP - january 17 - march 17

DESIGN - AEROBICS don’t blink or you’ll miss it! in this course we’ll look at temporary structures, from living quarters and exhibition stands to container stores...
designboom news
340,365 subscribers

keep up to date with recent articles and upcoming events.
to receive both newsletters please check 2 boxes.

DAILY - see sample BIWEEKLY -see sample
© copyrights 2000 - 2012 designboom, all rights reserved. all material published remains the exclusive copyright of designboom.
no contents, including text, photographs, videos, etc. may be reproduced in whole or in part without the written consent of designboom. in addition,
no material or contents may be reproduced on the world wide web by techniques of mirroring, framing, posting, etc. without the written consent of designboom.