serie architects / christopher c.m. lee & kapil gupta: hangzhou xintiandi factory h

serie architects / christopher c.m. lee & kapil gupta: hangzhou xintiandi factory h


hangzhou xintiandi factory h by serie architects
all images courtesy serie architects



in march this year, serie architects alongside, grimshaw of london and pysall ruge arkitekten
of berlin were selected to renovate and design four large disused factories in hangzhou, china;
with serie and pysall ruge designing one of the four factories each, and grimshaw the remaining
two. these factories will form the main urban core for a new city centre, named hangzhou
xin tian di, located 6km north east of the present city centre.





it became apparent early on that the project faced several conflicting demands. for the project
to be economically viable, an insertion of floor areas totalling 4 times its original foot print would
have to be accommodated. on the other hand, to fill up the factory would completely diminish
its most unique feature – its 16m high volume. thus our main concern is to preserve the main hall
of the factory as a spectacular internal volume and to accentuate the industrial drama of this
massive void by restoring the concrete truss roof structure and by bringing additional light down
through a newly glazed lantern. in addition, we are preserving and restoring the other important
elements of the original factory design: the crumbling brick facade, the rusting mobile crane,
the brick-built industrial chimney and the grand concrete colonnade. 





to abstain from the architectural crime of filling the entire main hall with program, we placed
the supporting program - shops, restaurants, bars and creative offices - into a surrounding plinth.
this plinth acts as a device to emphasize the main factory building: in one sense it frames the factory,
in another sense is serves as a pedestal above which we come face to face with the factory. 
    




as well as absorbing program and supporting the factory, the top surface of the plinth gently
undulates and is punctured with green patios and water bodies, constituting an abstraction
and re-reading of the natural landscape of hangzhou.

the utilization of the same deep structure as blue frog (circle/plan) for this project enabled the architects
to rethink the idea of the mat building as a plinth. here the plinth serves to punctuate the factory as
the anchor for the masterplan, with surrounding buildings many times its density. this alternative strategy
of rethinking what constitutes an urban core eschews the reliance on hyper dense buildings that
accumulates pedestrian flows. instead it presents the reclaimed void as a new urban core. 














exploded view



conversion of the factory



model



model



existing factory to be converted

project info:
use: adaptive re-use of factory to commercial and offices
location: hangzhou, china
total area: 8,040 sqm
design team: chris lee, kapil gupta, bolam lee, martin jameson, sun qin, yifan liu, kevin hung,
charlotte sue and amit arya
date: may 2010 – ongoing, construction expected jan 2011.
models: joseph halligan and michelle young
model photography: chris lee and michelle young

ridhika db
10.14.10  
4
saana anyone???
ron gl   10.15.10
TATE MODERN - even the same sculptures..!
tate   10.16.10
Tate Modernish, but still a great renovation!
Jeannie Remy   10.18.10
Oh come on it's fresh and beautiful and a step beyond Tate modern - let's give credit where it's due...
Kudos to Serie for yet another creative solution...
Gaurang@Urbnarc.com   10.19.10

serie architects: BMW olympic pavilion

architecture | 02.07.12

taking advantage of its elevated site above the waterworks river in london, the pavilion will feature a water curtain that will function act as a means of cooling the structure.

7

serie architects: wuxi civic centre

architecture | 10.04.11

pivoting around a large public plaza, the winning proposal features two symmetrical towers that subtly curve open towards the main entrance way.     

3

serie architects: yan zhenqing museum

architecture | 08.10.11

referencing the work of the 8th century chinese calligrapher, the museum incorporates vertical rhythms in to its architecture, resulting in a building that rises above the topography and landscape. 

3

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