cheungvogl: 26 houses

cheungvogl: 26 houses


'26 houses' by cheungvogl
all images courtesy sheungvogl



hong kong-based architectural studio cheungvogl  (judy cheung and christoph vogl) has sent us images
of their second project in south america. '26 houses', also referred to as 'CDM', is a residential development
overlooking the pacific ocean on the coastline of manta, ecuador. as the name might suggest, the project
consists of 26 houses plus 2 optional units which stagger up the existing landscape, creating a terraced form
that provides an unobstructed view of the beach for each unit.



straight on view showing the central pedestrian axis


the design features a central pedestrian access which runs up and connects the terraced gardens together.
moments of rest and communal spaces are provided along this axis, providing a sense of community
within the multi-house complex. ample deck space is created through the staggered-stacking layout
of the units, while a shared roof top accommodates a sundeck and pool. a discreet ramp off the main
road leads cars to a covered park area on the 10th level.



private terraces



large overhang provides privacy for the inhabitants


by inserting each house into the slope of the terrain, unnecessary site excavation and fill is kept
to a minimum, making the build of the project cost-efficient. based on a rationalized modular system,
the design allows for prefabricated construction to be brought on site for a speedier construction process.






section
erica db
11.10.10  
16
Looks interesting, hope we get to see the finished article in due course d;-)
Jetwax   11.11.10
nice real nice
Rosso   11.11.10
Beautiful Project !!
Eddie   11.12.10
Where's the elevator? Do not tell me that does not exist...
Onur   11.15.10
in terrain like this you can't have common lift. usually you find sloped cabin elevator. i think, i spot 2 boxes above the stairs in the section. most prominent example: the renzo piano studio in genoa, which is located in similar situation. nice design, though.
strata   11.15.10
Where is the architecture? Come on... This is way to abstract. No materiality, suitable for cyberspace.
Axel   11.15.10
Looks nice, but where is the elevator and what kind of a staircase is that???
Sisy   11.15.10
Very elegant! Chapeau!
Vic   11.15.10
3 Lessons to be learned from Japanese Minimalism:

1. Simplicity = Efficiency
2. Simplicity = Cost Efficiency
3. Simplicity = Timelessness and Beauty

And (Bonus): No one will provide you with better solutions to protect privacy in dense spaces than Japanese architects.
Ryan S   11.15.10
to above: not japanese, but hong kong-bases architects.
but still timeless and beautiful, very nice!
Jorge   11.15.10
horrible!
Koby   11.16.10
i fail to see "den grossen wurf".
sebastian   11.16.10
Form follows function.

Beautiful and practical at the same time. It is what true architecture is - a strong idea that comes from its urban landscape - the houses highly engage its surroundings. Great site, great project.

Bravo !
Amber   11.16.10
I wonder how such trees grow in concrete
mmka   11.16.10
An intriguing continuation of Shigeru Ban’s Case Study Houses and quite a revolution in a contractors driven market segment in Ecuador. All my respect!
Roque   11.16.10
Ich freue mich, Euch hier wiederzusehen! Gut, dass Ihr Eure Kunden mitgenomen habt, und nicht mit Foster geteilt habt (nahm mir Euren Rat zu Herzen) – grossartige Arbeit!!! Alles Gute!
ehemaliger Kollege   11.16.10

cheungvogl: torre ACM

architecture | 05.20.12

slightly undulating protruding windows are the face of the residential and retail building. the gently tapered form integrates into its historic surroundings, while still contributing to its future development. 

2

cheungvogl: boat timber installation at aesop

design | 05.07.12

a representation of time, the installation consists of two floating cabinets constructed entirely of boat timber. 

1

cheungvogl: aesop I.T store installation

design | 12.05.11

eight hundred resin boxes were arranged atop steel rods of varying lengths, creating the sense that each unit was ascending at its own pace, as if being drawn upward by an invisible thread.

2

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